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Introducing Series
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Icons
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.
Icons
An illustrated treasure trove of icons throughout history.
The Mystical Language of Icons
Solrunn Nes, one of Europe's most admired iconographers, illuminates the world of Christian icons, explaining the motifs, gestures, and colors common to these profound symbols of faith. Nes explores in depth a number of famous icons, including those of the Greater Feasts, the Mother of God, and a number of the better-known saints, enriching her discussion with references to Scripture, early Christian writings, and liturgy. She also leads readers through the process and techniques of icon painting, showing each step with photographs, and includes more than fifty of her own original works of art.
Icon
Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to engage them all.
Christ to Coke
Explores the origins and evolution of eleven visual iconic images still found in today's culture, including Jesus, the Coke bottle, and Einstein's famous equation, e equals mc squared.
The Icon
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Icon Painting Technique
Mary Jane Miller discusses her Icon Painting technique, the history and meaning of icon painting. The How to book orients icon painters and examines why icons continue to be a spiritual tool. From a uniquely Western perspective, this step-by-step study of art and teaching of a practical course in Icon Painting technique. The religion and spirituality of this technique brings to life the sacred and beautiful art of egg tempera painting. Included are egg tempera recipe guides and patterns to work from. Beginners, intermediate, and advanced iconographers will all find new insights.With in-depth information, invaluable advice, and superb illustrations of each step, this is a most comprehensive g...
Icons
"Icons were among the first religious objects brought into Russia from Byzantium at a time when Christian art was already highly developed. Although the art of the icon (the sacred picture of the Greek Orthodox church) could be said to have reached perfection in the Byzantine world, the Russians, nevertheless, were able to give it a new, national complexion and produce some of the finest examples of the art. Icons were first produced for use in churches and processions. As their size became smaller, so demand fro them as religious household objects grew. They have remained an important feature in Russia's orthodox religious cultures to this day. The 65 plates in this book show work as beautiful as that of the greatest Italian primitives. The icons date from the 14th to 17th centuries, many belonging to the School of Novgorod, once the cultural centre of Russia. Other sources include the renowned school of Rublev and Dionysus"--
The Meaning of Icons
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
