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Resisting Racial Capitalism
What does freedom mean without, and despite, the state? Ida Danewid argues that state power is central to racial capitalism's violent regimes of extraction and accumulation. Tracing the global histories of four technologies of state violence: policing, bordering, wastelanding, and reproductive control, she excavates an antipolitical archive of anarchism that stretches from the favelas of Rio de Janeiro to the borderlands of Europe, the poisoned landscape of Ogoniland, and the queer lifeworlds of Delhi. Thinking with a rich set of scholars, organisers, and otherworldy dreamers, Danewid theorises these modes of refusal as a utopian worldmaking project which seeks not just better ways of being governed, but an end to governance in its entirety. In a time where the state remains hegemonic across the Left-Right political spectrum, Resisting Racial Capitalism calls on us to dream bolder and better in order to (un)build the world anew.
The Black Mediterranean
This edited volume aims to problematise and rethink the contemporary European migrant crisis in the Central Mediterranean through the lens of the Black Mediterranean. Bringing together scholars working in geography, political theory, sociology, and cultural studies, this volume takes the Black Mediterranean as a starting point for asking and answering a set of crucial questions about the racialized production of borders, bodies, and citizenship in contemporary Europe: what is the role of borders in controlling migrant flows from North Africa and the Middle East?; what is the place for black bodies in the Central Mediterranean context?; what is the relevance of the citizenship in reconsidering black subjectivities in Europe? The volume will be divided into three parts. After the introduction, which will provide an overview of the theoretical framework and the individual contributions, Part I focuses on the problem of borders, Part II features essays focused on the body, and Part III is dedicated to citizenship.
Resisting Racial Capitalism
Excavates a global archive of refusal and ungovernability which challenges the statist political imagination of our time.
How the West Came to Rule
Mainstream historical accounts of the development of capitalism describe a process which is fundamentally European - a system that was born in the mills and factories of England or under the guillotines of the French Revolution. In this groundbreaking book, a very different story is told. How the West Came to Rule offers a unique interdisciplinary and international historical account of the origins of capitalism. It argues that contrary to the dominant wisdom, capitalism's origins should not be understood as a development confined to the geographically and culturally sealed borders of Europe, but the outcome of a wider array of global processes in which non-European societies played a decisive role. Through an outline of the uneven histories of Mongolian expansion, New World discoveries, Ottoman-Habsburg rivalry, the development of the Asian colonies and bourgeois revolutions, Alexander Anievas and Kerem Nisancioglu provide an account of how these diverse events and processes came together to produce capitalism.
Migration at the End of Empire
How has migration shaped Mediterranean history? And what role did conflicting temporalities and the politics of departure play in the age of decolonisation? Using a microhistorical approach, Migration at the End of Empire explores the experiences of over 55,000 Italian subjects in Egypt during the late-nineteenth and twentieth centuries. Before 1937, Ottoman-era legal regimes fostered the coupling of nationalism and imperialism among Italians in Egypt, particularly as the fascist government sought to revive the myth of Mare Nostrum. With decolonisation, however, Italians began abandoning Egypt en masse. By 1960, over 40,000 had deserted Egypt; some as 'emigrants,' others as 'repatriates,'and still others as 'national refugees.' The departed community became an emblem around which political actors in post-colonial Italy and Egypt forged new ties. Anticipated, actual, and remembered departures of Italians from Egypt are at the heart of this book's ambition to rethink European and Mediterranean periodisation.
An Introduction to War Studies
Commemorating 60 years of War Studies at King’s College London, this incisive and adroitly crafted book acts as a comprehensive introduction to the multidisciplinary field of war, conflict and security. Adopting a global approach, it adeptly navigates a broad spectrum of themes and theoretical perspectives which lie at the heart of this important area of study.
Fabricating Homeland Security
Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. S...
Transnational Lampedusa
This book examines how Lampedusa, Italy’s southernmost island, has become a transnational symbol representing migration to Europe from the Global South. It analyses how three very different associations have used the name “Lampedusa” as a means of restoring a sense of subjectivity or agency to migrants themselves. Jacopo Colombini argues that the work of the Archivio delle Memorie Migranti (Rome), the self-organised refugee group Lampedusa in Hamburg, and the Lampedusa-based Collettivo Askavusa offers an alternative to the stereotypical, often racially connoted, public discussion of migrant presence in Italy and Europe. He also demonstrates, however, that the marginalisation of migrant and refugee voices in the public discourse is also partially and unavoidably reproduced in the cultural projects that wish to restore their agency.
