Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Images and Idols
Christians ought to be leading the way in creativity, but we rarely do. God is the Creator of all things, and He created us in His image. Creativity is woven into the very fabric of our humanity. Therefore, Christians should value and champion creativity as a vital part of our image-bearing role. Instead Christians often don’t know what to do with creatives and creatives don’t know what to do with Christianity. On one side you have Christians who neglect or discount art, imagination, and beauty altogether. On the other, you have artists who make idols out of each of these good things. Ryan Lister, a theology professor, and Thomas Terry, a spoken word artist and founder of Humble Beast, team up to help restore the connection between creativity and theology. Images & Idols is a theological and artistic exploration of creativity in the Christian life. It will help creatives build a strong theological foundation for their art, while challenging the church to embrace a theology of beauty and creativity.
Idols
A unique journey through time and space to the origins of the figuration of the human body, from the Neolithic era to the Bronze Age, through works of extraordinary beauty and charm. The dawn of anthropomorphic figurative culture, the founding myths of humanity and the representation of power, whether inseminated by gods or heroes - all these concerns are addressed and embodied in Idols. Edited by by Annie Caubet - she being a great archaeologist herself and Emerita of the Louvre - Idols, from the Greek eidolon, or image, invites the reader to embark on an aesthetic journey across time and space, to discover how artists who lived and worked around 4000-2000 BC created three-dimensional image...
The Praiseworthy One
In the wake of controversies over printing or displaying images of the Prophet Muhammad, Christiane Gruber's aim is to bring back into scholarly and public discussion the 'lost' history of imagining the Prophet in Islamic cultures. By studying the various verbal and visual constructions of the Prophet's character and persona over the course of more than one thousand years, Gruber seeks to correct public misconceptions and restore to Islam its rich artistic heritage, illuminating the critical role Muhammad has played in Muslim constructions of self and community at different times and in various cultural contexts. The Praiseworthy One is an exploration of the Prophet Muhammad's significance i...
Broken Idols of the English Reformation
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
Idols of the People
These lectures investigate the numerous miniature baked clay images from Canaan, Israel and Judah (c. 1600-600 BC). They constitute vital evidence for the imagery and domestic rituals of ordinary people, but significantly are not explicitly mentioned in the Old Testament. These terracottas are treated as a distinctive phenomenon with roots deep in prehistory and recurrent characteristics across millennia. Attention is focused on whether or not the female representations are worshippers of unknown deities or images of known goddesses, particularly in Early Israelite religion.
Images, Idolatry, and Iconoclasm in Late Medieval England
'`This collection of essays presents itself in a very promising way. Its topics are both currently fashionable and undeniably central to late medieval England. Its contributors include an impressive gathering of eminent medievalists. Its publisher has given the volume an elegant design...' -Joel Fredell, The Medieval ReviewThe pressure to destroy images was not an exclusively sixteenth-century phenomenon. The late medieval period witnessed both religious and secular conflicts over images. The essays in this book, each by an outstanding scholar, consider issues of central concern - literary, political, and art-historical - that arise from image making and breaking.
From Icons to Idols
In 1547, the young King Edward VI issued a series of religious injunctions that were intended to reform the Churches in England. Religious imagery was a tangible and permanent aspect of the landscape, both inside and outside churches. For many people, it was one of the first aspects of the Church to be reformed, and the degree to which it was reformed often was indicative of an individual's or community's theological leanings. Behind this destruction lay a longstanding debate over the nature, purpose, and appropriate uses of images, particularly in relation to worship and devotion. The Reformation lines between icon and idol, however, are much more difficult to identify than any single debat...
Idols of the Market
In this is a book-length essay, art critic and historian Sven Lutticken takes philosopher Theodor Adorno's critique of popular arts and culture a step further. Adorno criticized the manipulation of taste in official cultures and the pretense of individualism; Lutticken looks at the tension between fundamentalism and individualism in the context of the current religious-political image wars. This book examines both the afterlife of religious elements in modern culture and possible responses to the current religious re-appropriation of Adorno's critique of modern capitalist culture by both Christian fundamentalists and radical Islamists...
Idols
None
