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The great turning point of Western civilization that we call the Renaissance marked the emergence of the modern world from the Dark Ages. This ingenious, profusely illustrated book presents the entire epoch of the Renaissance through a spectacular array of images and invites readers to follow the great lives, explore the themes, and witness the major events of this exciting era.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
Rejection of idolatry during the Reformation had dramatic and far-reaching effects on English society: the removal of color and ornament from churches, the alteration of divine and secular laws, and the destruction of an enormous amount of religious art. This study looks at the changes in sixteenth-century theology that brought about iconoclasm and offers new insight into a central aspect of the Reformation.
A fascinating and lavishly-illustrated detective story about the allegorical painting Edward VI and the Pope.
While much has been written on the connections between Lollardy and the Reformation, this collection of essays is the first detailed and satisfactory interpretation of many aspects of the problem. Margaret Aston shows how Protestant Reformers derived encouragement from their predecessors, while interpreting Lollards in the light of their own faith. This highly readable book makes an important contribution to the history of the Reformation, bringing to life the men and women of a movement interesting for its own sake and for the light it sheds on the religious and intellectual history of the period.
A lavishly illustrated survey of Renaissance art features coverage of numerous masterpieces as well as less-familiar works while providing background information on such topics as the development of the printing press, the rise of the nation-state, and the contributions of women, in a volume that is complemented by capsule biographies, timelines, and a glossary. Reprint.
The theme of this study of the 15th century is the emergence of Europe as an entity. It was a period of discovery and questioning: a watershed in European history which is all too often glossed over with the catchword Renaissance. Here the Renaissance is seen as part of a larger context - religious, social, cultural and economic. The great events of the century were the plague, the capture of Constantinople by the Turks, the invention of the printing press, the exploration of the world and the revival of classical studies.
Aston's Grandad Roy played in a steel band and Grandad Harry played the trumpet in a brass band. Aston always enjoyed going to visit them and listen to them practise. But soon he wanted to join in. So he asked Grandad Roy to teach him to play the steel drums and then he asked Grandad Harry to teach him to play the trumpet. He loved practising both instruments. Then the school needs a band to play at the school fair, and both grandads want their own band to play. Finaly Aston had an idea - both bands join together to make one big band, and Aston joins in first on steel drums and then on trumpet. This delightful story of a mixed-race family reconciling their very different cultures is a wonderful celebration of diverse cultures. Written by one of Britain's foremost campaigners and media personalities and illustrated by a highly regarded illustrator, this book is sure to build on the success of My Two Grannies.
To date, there has been little consideration of the many different ways in which accounting and risk intersect, despite organisations being more determined than ever to build resilience against potential risks. This comprehensive volume overcomes this gap by providing an overview of the field, drawing together current knowledge of risk in a wide range of different accounting contexts. Key themes such as corporate governance, trust, uncertainty and climate change are covered by a global array of contributing scholars. These contributions are divided into four areas: The broader aspects of risk and risk management Risk in financial reporting Risk in management accounting Risk monitoring The book is supported by a series of illustrative case studies which help to bring together theory and practice. With its wealth of examples and analyses, this volume provides essential reading for students, scholars and practitioners charged with understanding diverse facets of risk in the context of accounting in the business world.