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Biennial Report of the Trustees, Superintendent and Treasurer of the Illinois Southern Hospital for the Insane, Located at Anna; 3
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Pottery, Politics, Art
Pottery, Politics, Art uses the medium of clay to explore the nature of spectacle, bodies, and boundaries. The book analyzes the sexual and social obsessions of three of America's most intense potters, artists who used the liminal potentials of clay to explore the horrors and delights of our animal selves. Richard D. Mohr revives from undeserved obscurity the far-southern Illinois potting brothers Cornwall and Wallace Kirkpatrick (1814-90, 1828-96) and examines the significance of the haunting, witty, and grotesque wares of the brothers' Anna Pottery (1859-96). He then traces the Kirkpatricks' decisive influence on a central figure in the American Arts and Crafts movement, George Ohr (1857-1918), known as the Mad Potter of Biloxi and arguably America's greatest potter. Finally, Mohr gives a new reading to Ohr's contorted, yet lyrical and ecstatic works. Abundant full-color and black-and-white photographs illustrate this remarkable art.
