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Medieval Illuminators and Their Methods of Work
Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in ...
Cistercians in Medieval Art
This fully illustrated work tells the remarkable story of the Cistercian Order through its art: illuminated manuscripts, paintings, stained glass, carvings and sculpture, gathered from throughout Europe, Britain, and Scandinavia. It reveals how the Cistercians shaped the religious, cultural and economic unity of medieval Europe and shows the continuity of cistercian practice across the centuries.
Studies in Manuscript Illumination, 1200-1400
The author is Helen Gould Sheppard Professor of Art History at New York University , Institute of Fine Arts, and a leading authority on English medieval manuscript illumination. This volume bring together twenty-six of Professor Sandler's studies, focusing on illustrated manuscripts produced in England in the thirteenth and fourteenth centuries, particularly on the illuminated psalters. The marginal illustrations in these psalters are a topic of particular interest, and there are a number of iconographic studies derived from this material. A separate section deals with the illustrated encyclopedias of the period, particularly the Omne bonum.
Studies in Early Christian and Medieval Irish Art: Manuscript illumination
Over the past fifty years, Francoise Henry has been the leading authority on the history of early Irish art. A pupil of Henri Focillon, she united two traditions of scholarship, one French and one Irish, and her understanding of the European context within which the art of early Christian Ireland developed has had a profound influence on subsequent research. These three volumes bring together the articles that Dr. Henry published on Irish art and its European links. The first volume is concerned with enamel and metalwork, a field in which the author specialized from the beginning. Emailleurs d'Occident looks at Western enamels, among which the Irish examples figure prominently, and the devel...
Twelfth-century Cistercian Manuscripts
A comprehensive study dealing with a group of illuminated manuscripts from the Cistercian monastry of Sticna, the ancient Sitticum, in Slovenia. Natasa Golob reconstructs the medieval Sticna collection and analyzes in detail the 32 manuscripts and 6 fragments preserved in Ljubljana, Vienna and Wolfenbuettel. She explores relationships between scribs and illuminators - monks, clergy and lay brothers - and brings her information to present-day research on the medieval library and the monastic workshop.
Illuminated Manuscripts
Those who have had the chance to hold a medieval manuscript in their hands cannot fail to have been impressed by the feeling of being in touch with a long-passed epoch. Back when a book was a true handicraft and every copy the result of a laborious process, the object was more a work of art than a volatile commercial product. The Mega Square Illuminated Manuscripts puts the reader in touch with amazing medieval illustrations and unique adornments, which document the imaginative power of their creators.
