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Tributes to Jonathan J.G. Alexander
A collection of essays by colleagues and pupils of Jonathan Alexander, the eminent Professor of Fine Arts at the New York Institute of Fine Arts who is regarded as a leading expert on the illuminated manuscripts. A bibliography of Alexander's own work is included showing the extent of his output.
Medieval Illuminators and Their Methods of Work
Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in ...
Studies in Italian Manuscript Illumination
A comprehensive selection of Professor Alexander's papers that consider Italian manuscript illumination through the medieval and Renaissance periods. The volume includes a new essay on marginal illustrations as well as older papers which discuss some of the most celebrated works of the period, and have been revised and updated here. Accompanied by a comprehensive index and new introduction.
The Decorated Letter
"This book is an anthology of decorated letters to be found in European manuscripts from the fourth to the fifteenth century" -- Introduction.
The Painted Book in Renaissance Italy
"Hand-painted illumination enlivened the burgeoning culture of the book in the Italian Renaissance, spanning the momentous shift from manuscript production to print. J. J. G. Alexander describes key illuminated manuscripts and printed books from the period and explores the social and material worlds in which they were produced. Renaissance humanism encouraged wealthy members of the laity to join the clergy as readers and book collectors. Illuminators responded to patrons' developing interest in classical motifs, and celebrated artists such as Mantegna and Perugino occasionally worked as illuminators. Italian illuminated books found patronage across Europe, their dispersion hastened by the French invasion of Italy at the end of the 15th century.--
A Book of Hours for Engelbert of Nassau
"The happiest, sweetest, and liveliest little book imaginable."--John Canaday.
Collected Writings
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The Splendor of the Word
The New York Public Librarys collection of nearly three hundred Western European illuminated manuscripts is one of the largest in America but also one that is very little known. Dating from the turn of the tenth century unto well into the period of the Renaissance, these works give vivid testimony to the creative impulses of the often nameless craftsmen who discovered ever-new ways of animating the contents of hand-produced books through inventive and sometimes exuberant manipulations of all the elements of the book: form and format, layout, script, decoration, illustration, and binding. To introduce this magnificent collection and many of its most important works to scholars and the wider audience, The Splendor of the Word presents one hundred manuscripts of particular cultural, historical, and artistic significance, selected from the Librarys collection.--Amazon.com.
