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For more than a thousand years before the arrival of the Slavs in the sixth century AD, the lands between the Adriatic and the river Danube, now Yugoslavia and Albania, were the home of the peoples known to the ancient world as Illyrians. This book, now available in paperback, draws upon the considerable archaeological evidence that has become available since the Second World War to provide an account of the origins, culture, history and legacy of the Illyrians. John Wilkes describes the geography of Illyria and surveys the region in the prehistoric, Greek, Roman and medieval periods. He discusses Illyrian art, material, culture, religion and customs. A chapter examines the Illyrian language, of which little trace survives, and its connection with other Indo-European languages. Professor Wilkes also scrutinizes the linguistic evidence for the Illyrians' relatedness to other peoples - Thracian, Italic, Greek and Celtic. He concludes with a discussion of a possible survival of an Illyrian native culture in the Roman and Byzantine periods.
Illyria in Shakespeare’s England is the first extended study of the eastern Adriatic region, often referred to in the Renaissance by its Graeco-Roman name “Illyria,” in early modern English writing and political thought. At first glance the absence of earlier studies may not be surprising: that area may seem significant only to critics pursuing certain specialized questions about Shakespeare’s Twelfth Night, which is set in Illyria. But in fact, it is not only often misrepresented in the discussions of that play but also typically ignored in the critical conversation on English prose romances, poems, and other plays that feature Illyria or its peoples, some rarely read, others well-k...
Illyria in Shakespeare's England studies the eastern Adriatic region known as "Illyria" in five plays by Shakespeare and other early modern English writing. It examines the origins and features of past discourses on the area, expanding our knowledge of the ways in which Englan...
Illyria is the name given to the ancient region of the Balkans on the Adriatic coast from which most historians of the Balkans believe modern Albanians descend. This illuminating work by the celebrated archaeologist, Arthur Evans, examines the lives of the ancient Illyrians and contains many penetrating insights into the region. Drawing on his extensive travels in the area in the 1880s, Ancient Illyria presents for the first time Evans' original analysis of the diverse archaeological sites of the region to construct a full and fascinating history. Never before published as a single volume, this classic work is still the best account and contains the most detailed research into the subject. Fully illustrated and including pictures of some Roman inscriptions which were later destroyed during the Serbian occupation of Kosovo, this invaluable guide to the archaeology and history of ancient Illyria is an essential text for all historians and everyone interested in the Balkans.
Madeleine and Rogan are first cousins, best friends, twinned souls, each other’s first love. Even within their large, disorderly family—all descendants of a famous actress—their intensity and passion for theater sets them apart. It makes them a little dangerous. When they are cast in their school’s production of Twelfth Night, they are forced to face their separate talents and futures, and their future together. This masterful short novel, winner of the World Fantasy Award, is magic on paper.
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As a reporter for the prestigious New York Times the author interviewed many of the leading political figures of the Balkans (Illyria). He also sought out the area's intellectuals, many of them critical of their leaders, and everyday people who provide a sense of daily life. He devotes a chapter to each ethnic group from Vlachs to Serbs, talks about their differences and similarities, and does so without giving offense. He also provides a short historical account of the various places he visits, which deepens our understanding of the local cultures. The reader meets people from all walks of life: politicians, poets, literary and art critics, journalists, handymen, car mechanics, fishermen and farmers. From Milovan Djilas and Nicolae Ceausescu to Markos Vafiadis and Sali Berisha to the Serbian “majstor” Misha and an un-named Bosnian bar singer, Binder's book features a remarkable gallery of people whose presence contributes authenticity and human warmth to the narrative.
The Queen's conjurer, Doctor John Dee; Elizabethan mathematician, cryptographer, and mystic, is commissioned by her Majesty's spymaster, Walsingham, to suss out the loyalty of a Catholic Duke who governs an island in the English Channel. His mission: Discover any treason, religious terrorists and possible threats to The Crown. In preparation for his mission, Dee becomes acquainted with William, an unknown, teenaged playwright, who has just written a horrendousflop - "Prince Amleth". On a blustery winter's day, they set sail on their clandestine mission to find forbidden, seditious clues in the strangest of places. Dee must rely on his ingenuity, build trust with his young companion, and follow each slim lead to discover if recusants exist on the island or if there are yet some loyal to the Crown.His very life depends on it.
As a wife and mother of three, Lady Kilmichael felt her task in the home was finished. As the artist Grace Stanway, she was well-known and successful in her own right. The question now was whether her home or her career would predominate.
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