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Revisits World War I, drawing on the archives of the Imperial War Museum, including oral histories, photographs, works of art, personal correspondence and diaries, and artifacts from machine guns to military vehicles.
A reexamination of the narrative of genocide. Personal stories help audiences consider the cause, course, and consequences of this seminal period in world history. In Holocaust, historian James Bulgin presents a wealth of archival material--including emotive objects, newly commissioned photography, and previously unpublished personal testimony from those who were there--to examine the role of ideology and individual decision-making in the course of World War II and the Holocaust. The book is published to coincide with the opening of Imperial War Museums's groundbreaking new Second World War and Holocaust Galleries.
Published on the eightieth anniversary of the 1918 Armistice, this book tells the story of a year during which the casualty lists on all sides were longer, the turns of fortune were most remarkable, and action was most intense.
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A comparative study of how museum exhibitions in Britain, Canada and Australia were used to depict the First World War.
The Victoria and George Crosses are the highest military and civil decorations of the United Kingdom, awarded for gallantry. The Victoria Cross, introduced in 1856, is awarded to members of the armed forces of various Commonwealth countries for valour in the face of the enemy, while the George Cross was introduced during World War II so that civilians could also be awarded for acts of heroism, or conspicuous courage in circumstances of extreme danger. There have been 1,356 Victoria Crosses awarded, and there have been 404 recipients of the George Cross since 1940. The Imperial War Museum is opening the Lord Ashcroft Gallery in November 2010 to showcase not only their large collection of Victoria and George crosses, but also Lord Ashcroft's collection, which he has loaned to the Museum for 10 years. The gallery will therefore contain the largest collection of VCs and GCs in the world. The museum envisages around 150,000 visitors a year. This fully illustrated book contains the stories of over 80 recipients: a mixture of individuals - including men, women and children from different countries - who performed their acts of heroism across the last century and a half.
It was on the Western Front that the First World War was lost and won. Covering the whole war, from the guns of August 1914 to the sudden silence of November 1918, this work reveals what life was really like for the men and women who took part.
The major art installation Blood Swept Lands and Seas of Red at the Tower of London marked one hundred years since the first full day of Britain's involvement in the First World War. Created by artists Paul Cummins and Tom Piper, 888,246 ceramic poppies progressively filled the Tower's famous moat between 17 July and 11 November 2014. Each poppy represented a British military fatality during the war. The poppies encircled the iconic landmark, creating a spectacular display visible from all around the Tower, which attracted more than 5 million visitors. The scale of the installation was intended to reflect the magnitude of such an important centenary and create a powerful visual commemoration. Featuring forewords by Paul Cummins and Tom Piper and stunning photography of the installation, The Poppies: Blood Red Lands and Seas of Red is the only official publication to mark this landmark event. As thousands of the poppies used in the installation tour the country during the remainder of the First World War Centenary, this publication will undoubtedly prove popular with visitors to both the Tower and the new venues alike.
Bring the First World War to life with a fresh interpretation of the War, combining the expertise of IWM and Hodder Education in both the First World War and educational publishing. This Student's Book and accompanying Dynamic Learning resource provide a discrete unit of study. Together, they present new stories, sources and teaching tools which allow learners to explore the conflict and the experiences of those involved in the fighting and on the home front. - Follow the lives of individuals and focus on artefacts from IWM's collections - Enable learners to investigate the War through a range of rich IWM resources including photos, letters and other evidence, and learn why the First World War shaped the lives of British people more than any other - Ideal for GCSE lessons, too
The Imperial War Museum’s archive is home to more than 20,000 hours of moving image material spanning the twentieth century in Britain. The clips range from documentary film and official newsreels, to unedited combat footage, and amateur shots. In the museum's early days the films could only be viewed through Mutoscope machines from the late nineteenth century that functioned much like a flipbook, giving life to a series of motionless images. The Mutoscope did not project images on a screen, rather the machine was used by one person at a time. To re-create the experience of watching these historical film reels, some of the most compelling scenes have been reproduced in these action-filled ...