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Projecting Empire
Popular cinema is saturated with images and narratives of empire. This study of imperialism and cinema maps the history of empire cinema in both Hollywood and Britain through a series of case studies of popular films including biopics, adventures, literary adaptations, melodramas, comedies and documentaries.
Empire Films and the Crisis of Colonialism, 1946–1959
Cover -- Contents -- Acknowledgments -- Introduction -- PART I: THE PERSISTENCE OF EMPIRE: COLONIALIST FILMS IN THE DECOLONIZATION ERA -- 1 The White Woman's Burden -- 2 Heroes of Empire -- 3 Westerns -- PART II: COMING TO TERMS: CONFRONTING INSURGENCY AND DECOLONIZATION -- 4 The British Empire and Decolonization -- 5 The French Empire and Decolonization -- 6 Americans in Postwar Asia -- PART III: DANGEROUS LIAISONS: INTERRACIAL COUPLES IN FILMS -- 7 Miscegenation in Westerns -- 8 Romance across the Pacific -- 9 Black-White Couples and Internal Decolonization -- Conclusion -- Appendix A: Attitudes toward Indians and U.S. Conquest in Westerns -- Appendix B: Outcomes of Interracial Romance in Miscegenation Films -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z.
Film and Colonialism in the Sixties
Relations between Western nations and their colonial subjects changed dramatically in the second half of the twentieth century. As nearly all of the West’s colonies gained their independence by 1975, attitudes toward colonialism in the West also changed, and terms such as empire and colonialism, once used with pride, became strongly negative. While colonialism has become discredited, precisely when or how that happened remains unclear. This book explores changing Western attitudes toward colonialism and decolonization by analyzing American, British, and French popular cinema and its reception from 1960 to 1973.
Colonial Cinema in Africa
In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the "Scramble for Africa" and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period--wrought by large-scale mining in southern Africa--led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.
Tropical Dream Palaces
Many studies focus on film in Africa. Few, however, study cinema as a leisure activity: one that has influenced several generations and opened up spaces to dream, discuss or contest. Movie theatres offered a break from the daily routine, as places of escape and of education. Cinema was also potentially subversive, offering an alternative to colonial discourse. Tropical Dream Palaces seeks to trace this history in a West African context: of broadening horizons on the one hand, and of censorship and control on the other. It fills a historiographic void, following cinema's arrival in the region in the early twentieth century up until the Independence era, and also looking further afield to Cent...
The Attractive Empire
"Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject." —Darrell William Davis, University of New South Wales "Michael Baskett r...
Film
This book is a sequel to Cine: Spanish Influences on Early Cinema in the Philippines, and part of Nick Deocampo’s extensive research on Philippine cinema. Tracing the beginnings of motion pictures from its Spanish roots, this book advances Deocampo’s scholarly study of cinema’s evolution in the hands of Americans.
JOURNALISM AND MASS COMMUNICATION -Volume I
Journalism and Mass Communication is the component of Encyclopedia of Social Sciences and Humanities in the global Encyclopedia of Life Support Systems (EOLSS), which is an integrated compendium of twenty one Encyclopedias. The Theme on Journalism and Mass Communication deals, in two volumes and cover five main topics, with a myriad of issues of great relevance to our world such as: Evolution of Journalism and Mass Communication; Evolution of Mass Communication: Mass Communication and Sustainable Futures; The Internet as a Mass Communication Medium; Management and Future of Mass Communications and Media; Communication Strategies for Sustainable Societies, which are then expanded into multiple subtopics, each as a chapter. These two volumes are aimed at the following five major target audiences: University and College Students Educators, Professional Practitioners, Research Personnel and Policy Analysts, Managers, and Decision Makers, NGOs and GOs.
