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Hijab Imtiaz Ali Taj’s 'Adab-E-Zareen', an innovative mystical poetic work, replete with symbology, philosophy, and metaphor, is translated from the Urdu for the first time in book form by celebrated English language poet Sascha A. Akhtar. Written in 1936 by this pioneering feminist writer, who was also the first female muslim pilot of the Subcontinent, this work soars to the skies leaving the reader breathless. With this book, Hijab Imtiaz Ali Taj’s work gets a richer perspective, eschewing traditional forms of storytelling of the time and embracing the fragment and poetic prose.
This book considers the popular cinema of North India (Bollywood) and how it recasts literary classics. It addresses the socio-political implications of popular reinterpretations of elite culture, exploring gender issues and the perceived sexism of popular films and how that plays out when literature is reworked into film.
Mirza Asadullah Khan Ghalib was born in Agra in the closing years of the eighteenth century. He wrote in both Urdu and Persian and was also a great prose stylist. Ghalib fascinates his readers for many reasons, but one of the most noted qualities in Ghalib was that he was a careful, even strict, editor of his work. It is said that he discarded or disregarded more than half of his Urdu verses. These verses were forgotten for long, until as late as 1918, in the library of the princely state of Bhopal. In 1921, they were edited and published as a new Divan-e Ghalib. In Flowers in a Mirror, Mehr Afshan Farooqi continues her research in the strain of her first book, A Wilderness at My Doorstep. She examines Ghalib’s approach to his work, the world in which he lived and composed, and ultimately, his genius. She selects 30 ghazals from the rejected corpus, translates them into English and provides an erudite, sparkling critical commentary. Through this book, she highlights the significance of marginalized poetry and the need to reinstate the forgotten verses in our lives and hearts.
The Wisden Book of Test Cricket, first published in 1979, is well established as an invaluable and unique source of reference essential to any cricket library. This new volume includes full scorecards and match reports from 1877 to 1977. Originally edited by Bill Frindall, this new volume brings collectors' libraries up to date, ensuring they have a complete and accurate record - essential for any truly self-respecting cricket enthusiast.
Bipin Chandra Pal, Jagdis Chandra BoseKasturba Gandhi, Vithalbhai PatelRafi Ahmad Kidwai, Vinoba BhaveShyama Prasad Mukherjee, Homi Bhabha
In the two World Wars, hundreds of thousands of Indian sepoys were mobilized, recruited and shipped overseas to fight for the British Crown. The Indian Army was the chief Imperial reserve for an empire under threat. But how did those sepoys understand and explain their own war experiences and indeed themselves through that experience? How much did their testimonies realise and reflect their own fragmented identities as both colonial subjects and imperial policemen? The Testimonies of Indian Soldiers and the Two World Wars draws upon the accounts of Indian combatants to explore how they came to terms with the conflicts. In thematic chapters, Gajendra Singh traces the evolution of military identities under the British Raj and considers how those identities became embattled in the praxis of soldiers' war testimonies – chiefly letters, depositions and interrogations. It becomes a story of mutiny and obedience; of horror, loss and silence. This book tells that story and is an important contribution to histories of the British Empire, South Asia and the two World Wars.
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The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...