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Love, Fiercely
Documents the Gilded Age love story of an heiress who fought for women's rights and an architect, tracing their upbringings, their pursuits, and their advocacy efforts on behalf of the poor and disenfranchised.
The Iconography of Manhattan Island, 1498-1909
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Rebel Cinderella
Prologue: Tumult at Carnegie Hall -- Tsar and queen -- Magic land -- City of the world -- Missionary to the slums -- Cinderella of the sweatshops -- Distant thunder -- Island paradise -- A tall, shamblefooted man -- By ballot or bullet -- A key to the gates of heaven -- Not the rose I thought she was -- I didn't raise my boy to be a soldier -- Let the guilty be shot at once -- All my life I have been preparing to meet this -- Waves against a cliff -- The springtime of revolution? -- No peaceful tent in no man's land -- Love is always justified.
Education, Skills and International Cooperation
This book highlights some of Kenneth King’s diverse contributions to international and comparative education, African studies and development studies over more than four decades. From his pioneering work on the first educational commissions to Africa, through his research on skills training in the informal sector, and on to his critical analysis of education analysis in development agencies, this book makes influential materials available in one place. Appropriately, it illustrates his career-long connections with Kenya, but also his more recent engagement with Japan, China and India. It is the first CERC volume to pay significant attention to the policies and politics of skills developmen...
Education in Africa
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American Drawings and Watercolors in the Metropolitan Museum of Art
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
Bulletin
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