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Black Women Activists in Nineteenth Century New Orleans
The names Marie Laveaux and Henriette Delille have become synonymous with Vodou and Catholic charity respectively in scholarship. Laveaux and Delille were born femmes de couleur libres, or free women of color, a social class that enabled them to overcome barriers that limited black women activism in nineteenth-century New Orleans. These women were quadroons or octoroons who were expected to engage in placage unions with wealthy, white European men, which had been a matrilineal custom for generations. However, Laveaux and Delille chose a life of service to others rather than a life of privilege. This book explores how Laveaux and Delille used their faith-based practices to address the needs of the city’s poor, enslaved, and disenfranchised populations. It provides readers with an interest in cultural studies, religious and spiritual studies, and gender studies with an introduction to Laveaux and Delille as black women activists in nineteenth-century New Orleans.
Development Drowned and Reborn
Development Drowned and Reborn is a "Blues geography" of New Orleans, one that compels readers to return to the history of the Black freedom struggle there to reckon with its unfinished business. Reading contemporary policies of abandonment against the grain, Clyde Woods explores how Hurricane Katrina brought long-standing structures of domination into view. In so doing, Woods delineates the roots of neoliberalism in the region and a history of resistance. Written in dialogue with social movements, this book offers tools for comprehending the racist dynamics of U.S. culture and economy. Following his landmark study, Development Arrested, Woods turns to organic intellectuals, Blues musicians,...
Outsider Within
Envisioning new directions for an inclusive anthropology
Caribbean and Southern
Ranging across the colonial and postcolonial eras of the American South and the Caribbean, the six essays in this volume take a fresh look at the regions' transnational linkages. With their focus on border zones, hybridity, and creolization, the essays challenge our notions about the cultural and economic trajectories of the African diaspora in this part of the world. For instance, was the movement of slaves seeking freedom in the United States always south to north? Or was the movement of slaves in bondage always westward, from Africa to the Caribbean or the Americas? One consequence of the work presented in this volume is an expansion of the physical borders of the Caribbean-southern sphere to include, for example, the Chesapeake Bay area. Lesser-known populations, such as the Black Seminoles, also gain heightened visibility. Runaway slaves who first allied themselves with Florida Indians, the Black Seminoles later migrated to the Bahamas. Other topics covered include foodways, environmental justice and Caribbean tourism, and religious or celebratory traditions of Vodou, Jonkonnu, and Rocks.
Theorising the Contemporary Zombie
Zombies have become an increasingly popular object of research in academic studies and, of course, in popular media. Over the past decade, they have been employed to explain mathematical equations, vortex phenomena in astrophysics, the need for improved laws, issues within higher education, and even the structure of human societies. Despite the surge of interest in the zombie as a critical metaphor, no coherent theoretical framework for studying the zombie actually exists. Addressing this current gap in the literature, Theorising the Contemporary Zombie defines zombiism as a means of theorising and examining various issues of society in any given era by immersing those social issues within the destabilising context of apocalyptic crisis; and applying this definition, the volume considers issues including gender, sexuality, family, literature, health, popular culture and extinction.
The New Encyclopedia of Southern Culture
Southern folklife is the heart of southern culture. Looking at traditional practices still carried on today as well as at aspects of folklife that are dynamic and emergent, contributors to this volume of The New Encyclopedia of Southern Culture examine a broad range of folk traditions. Moving beyond the traditional view of folklore that situates it in historical practice and narrowly defined genres, entries in this volume demonstrate how folklife remains a vital part of communities' self-definitions. Fifty thematic entries address subjects such as car culture, funerals, hip-hop, and powwows. In 56 topical entries, contributors focus on more specific elements of folklife, such as roadside memorials, collegiate stepping, quinceanera celebrations, New Orleans marching bands, and hunting dogs. Together, the entries demonstrate that southern folklife is dynamically alive and everywhere around us, giving meaning to the everyday unfolding of community life.
Stress, Shock, and Adaptation in the Twentieth Century
This edited volume explores the emergence of the stress concept and its ever-changing definitions; its uses in making novel linkages between disciplines such as ecology, physiology, psychology, psychiatry, public health, urban planning, architecture, and a range of social sciences; its application in a variety of sites such as the battlefield, workplace, clinic, hospital, and home; and the emergence of techniques of stress management in a variety of different socio-cultural and scientific locations. In short, this volume explores what happened when stress entered the discourse around modernity.
The African American Theatrical Body
Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath.
Wicked Flesh
The story of freedom pivots on the choices black women made to retain control over their bodies and selves, their loved ones, and their futures. The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners, traders, and colonial officials with fantasies of domination that trickled into every so...
Telling an American Horror Story
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture. Divided into three sections, the chapters apply a cultural criticism framework to examine how the first eight seasons of AHS engage with American history, our contemporary ideologies and social policies. Part I explores the historical context and the uniquely-American folklore that AHS evokes, from the Southern Gothic themes of Coven to connections between Apocalypseand anxieties of modern American youth. Part II contains interpretations of place and setting that mark the various seasons of the anthology. Finally, Part III examines how the series confronts notions of individual and social identity, like the portrayals of destructive leadership in Cult and lesbian representation in Asylum and Hotel.
