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Persecution, Collaboration, Resistance
When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the ‘Reichskommissariat Norwegen’ responsible for culture and therein music together with the Norwegian puppet regime’s department for culture implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences...
Haig's Enemy
During the First World War, the British army's most consistent German opponent was Crown Prince Rupprecht of Bavaria. Commanding more than a million men as a General, and then Field Marshal, in the Imperial German Army, he held off the attacks of the British Expeditionary Force under Sir John French and then Sir Douglas Haig for four long years. But Rupprecht was to lose not only the war, but his son and his throne. In Haig's Enemy, Jonathan Boff explores the tragic tale of Rupprecht's war--the story of a man caught under the wheels of modern industrial warfare. Providing a fresh viewpoint on the history of the Western Front, Boff draws on extensive research in the German archives to offer a...
Germans to America
Title of the first 10 volumes of the series is Germans to America : lists of passengers arriving at U.S. ports 1850-1855.
Britten's Musical Language
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
Soviet Internationalism after Stalin
The first multi-archive-based study of Soviet relations with Latin America from the 1950s through the 1980s.
Dragon's Wings
As China continues its rise as a world power, there is growing interest in its military aviation. Very little has been published in the past on the subject because of the difficulty of obtaining information, but aviation authors Tony Buttler and Andreas Rupprecht have been researching this subject together for a number of years, both from the perspective of their interest in the Chinese aircraft and also through an interest in Chinese secret aviation projects. They have now amassed enough material to put together a book on Chinese fighter and bomber aircraft development since Mao’s Communist Party took control of the country in 1949. The book examines the design and development of the country’s major military combat aircraft (fighters, bombers, attack aircraft, antisubmarine) since the industry became established after the Second World War, plus a good number of design proposals which, for whatever reason, were rejected or abandoned. The text is supplemented with photographs, line drawings, and color artwork of the aircraft.
Behind the Angel of History
"This short book offers a dazzling new interpretation of Paul Klee's most famous work: his Angelus Novus (1920), which was purchased by Walter Benjamin and became the model for his Angel of History, a figure saturated with Jewish mysticism that he introduces in his "Theses on the Philosophy of History." In 2014 the celebrated American artist R. H. Quaytman made a surprising discovery about Klee's work when she examined it at the Jewish Museum in Israel. She realized that Klee had carefully pasted the Angelus down over another image, a face, leaving just a finger's breadth of it showing. Through forensic science and lots of sleuthing it was determined that face belonged to Martin Luther. Behind the Angel of History tells the story of how Quaytman solved the mystery of who lurks behind Klee's angel. It then plunges into questions about why a face long hidden beneath another picture might matter. The book travels through a tangle of loaded conversations among images-from Klee's Angelus to Benjamin's own drawing of a crucified angel, from Klee's Angelus to Quaytman's own layered panels meditating on its secret"--
