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Collects Incredible Hulk (1968) #314-330, Incredible Hulk Annual (1968) #14-15, material from Marvel Fanfare (1982) #29. Strange changes for the Hulk! Doc Samson has a wild plan to separate Bruce Banner and the Hulk for good — but can Banner survive without his emerald alter ego? And can the planet survive a rampaging, Banner-less Hulk? As the Avengers battle the behemoth, a new team of Hulkbusters forms — and Bruce, seemingly free at last, finally finds happiness with Betty Ross! But two halves of a whole can’t stay apart forever, and the Hulk that returns is surlier, craftier — and gray! But if this is the Hulk, then who’s the long-haired green giant smashing up the American Southwest? And which longtime supporting character will meet their maker? Featuring the complete classic John Byrne run — and the status quo-smashing setup to Peter David’s multiyear epic!
A harrowing new adventure featuring one of Marvel Comics' most enduring characters. Hounded by the U.S. Army for crimes he did not commit, the Hulk seeks refuge in an experimental procedure that will permanently transform him back to his human incarnation of Dr. Robert Bruce Banner--and be rid of his green-skinned alter ego forever. Chapter opening illustrations.
This book explores what strength is and discusses how strength is demonstrated in the creation of the Incredible Hulk, a comic book character.
Follows the trajectory of the breakdown of the Cold War consensus after 1960 through the lens of superhero comic books developed by Marvel. Simultaneous.
A highly original collection of essays, demonstrating how comic books can be used as primary sources in the teaching and understanding of American history.
The most powerful mortal on Earth, the unstoppable, indestructible, incredible Hulk battles... The X-Men?!! Just what is the startling secret that connects Professor Charles Xavier with Doctor Bruce Banner? Plus, the return of the Leader and the Abomination! Collecting Savage Hulk #1-5.
Rediscover the most insightful and incendiary cultural commentaries from a leading figure in the revival of Surrealism. Surrealism, Bugs Bunny, and the Blues is a collection of Franklin Rosemont’s writings on popular culture over a period of more than forty years. Rosemont, a self-taught scholar, poet, and artist, playfully uncovers the sometimes hidden-in-plain-sight writers and artists who managed to be both popular, vernacular, and in their own ways profoundly revolutionary. Rosemont skillfully weaves together what most people regard as unlikely threads. The labor culture of the nineteenth century anarchist movement gains new meaning when connected to the famed Chicago musicians of blue...