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India, long known for its huge population, religious conflicts and its status as not-quite best friend ally of the United States has moved from the backwaters of world attention to centre stage. Afghanistan and Pakistan with whom India is in almost conflict, are neighbours. India has developed a nuclear capability which also has a way of grabbing attention. This book discusses current issues and historical background and provides a thorough index important to a better understanding of this diverse country.
Do weak institutions call for reform and regeneration? Or are they a reflection of rapid social change, of strong traditional societies, and the lack of honest and committed political leadership? Can institutions be understood in terms of universal frameworks, or are they shaped by the specificities of each country? These are the central questions that Constitutional and Democratic Institutions in India grapples with. The first part explores theoretical approaches to the study of institutions in India, while the remaining four parts cover the Parliament, the higher judiciary, the Election Commission of India, and some federal and social institutions, respectively. Against the backdrop of recurring political instability and a neo-liberal policy environment, the contributors raise many fundamental issues about the functioning of these institutions, their capabilities and the need for reform, and, in the case of the Parliament, the possibility of a shift to the presidential system of government and a model of cooperative federalism.
Contains a list of 200 handpicked recipes, cooking tips and basic procedures from the India International Centre's kitchen. This book traces the evolution and promotion of IIC's cultural exchanges, eclectic views and exclusive dining experience representing all corners of India as well as the globe. This book - with a list of 200 handpicked recipes, cooking tips and basic procedures from the India International Centre's kitchen - has been compiled by Bhicoo Manekshaw, long time associate and catering consultant of IIC and Chef Vijay Thukral. The book traces the
Proceedings of the 'The Festival of Water', held at New Delhi during 16-22 February 2004.
First multi-year cumulation covers six years: 1965-70.
This book is a comparative, sector-based study of the changing character of governance in Indian metropolises in the 2000s. Highlighting the horizontal and vertical ties of the participatory groups, both state and non-state, it looks at key civic issues.
This collection of essays covers the media and public debate dimension of the events of 9/11 and beyond, from the point of view of Middle Eastern and Asian countries. The first part of the book deals with the use of the media as an instrument of warfare, the growing significance of religion, the emergence of transnational media and a transnational public sphere and the relationship between the West and the rest of the world. The second part of the book contains nine case studies relating to different parts of the Middle East and Asian world, all with a strong empirical focus, while at the same time elaborating the book's theoretical concerns.
Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.