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This is an analysis of the nature and impact of the Indian presence in Britain, and British reactions to it. From the late 19th to the early 20th century, the number of Indians arriving in Britain, to gain qualifications and learn about British society, began to grow. The greater visibility of Indians at the Inns of Court and universities fuelled British fears, arising out of popular culture and the political situation in India, about the damaging effects of students' residence in Britain. The British authorities took measures to restrict the size of the Indian student population and control political activities, placing themselves in direct conflict with the students. Indians resented this encroachment of the state into their lives, which were already beset by problems of racial discrimination, isolation, and, in some cases, deprivation. Many students turned to politics, and this study shows how indigenous elites from dependent colonies, in this case India, were able to appropriate ideas and institutions, tochallenge, subvert - and sometimes prove their affinity with - British metropolitan society.
A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.
Chronicle of the Guayaki Indians is Pierre Clastres’s account of his 1963–64 encounter with this small Paraguayan tribe, a precise and detailed recording of the history, ritual, myths, and culture of this remarkably unique, and now vanished, people. “Determined not to let the slightest detail” escape him or to leave unanswered the many questions prompted by his personal experiences, Clastres follows the Guayaki in their everyday lives. Now available for the first time in a stunningly beautiful translation by Paul Auster, Chronicle of the Guayaki Indians radically alters not only the Western academic conventions in which other cultures are thought but also the discipline of political anthropology itself. Chronicle of the Guayaki Indians was awarded the Alta Prize in nonfiction by the American Literary Translators Association.
Long before lucrative tribal casinos sparked controversy, Native Americans amassed other wealth that provoked intense debate about the desirability, morality, and compatibility of Indian and non-Indian economic practices. Alexandra Harmon examines seven such instances of Indian affluence and the dilemmas they presented both for Native Americans and for Euro-Americans--dilemmas rooted in the colonial origins of the modern American economy. Harmon's study not only compels us to look beyond stereotypes of greedy whites and poor Indians, but also convincingly demonstrates that Indians deserve a prominent place in American economic history and in the history of American ideas.
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What do we really know about the Aryan migration theory and why is that debate so hot? Why did the people of Khajuraho carve erotic scenes on their temple walls? What did the monks at Nalanda eat for dinner? Did our ideals of beauty ever prefer dark skin? Indian civilization is an idea, a reality, an enigma. In this riveting book, Namit Arora takes us on an unforgettable journey through 5000 years of history, reimagining in rich detail the social and cultural moorings of Indians through the ages. Drawing on credible sources, he discovers what inspired and shaped them: their political upheavals and rivalries, customs and vocations, and a variety of unusual festivals. Arora makes a stop at six...
The Indian diaspora in Australia and New Zealand represents a successful ethnic community making significant contributions to their host societies and economies. However, because of their small number—slightly more than half a million— they rarely find mention in the global literature on Indian diaspora. The present volume seeks to remedy this oversight. Charting the chequered 250-year-old history of both the ‘old’ and the ‘new’ diaspora in the antipodes, the chapters narrate the stories of labourers who journeyed under the pressure of colonial capital and post-war professional migrants who went in search of better opportunities. In the context of the ‘White Australia’ and ‘White New Zealand’ policies designed to stem the arrival of Asians in the early twentieth century, we read of the complex survival stratagems adopted by migrants to circumvent the stringent insular world view of the existing white settlers in these countries. Together with stories of the collective suffering and struggles of the diaspora, we are presented with stories of individual resilience, enterprise, and social mobility.
Now in paperback and newly expanded, this gripping memoir is hailed as essential by the likes of Joy Harjo, Leslie Marmon Silko, and ELLE magazine. Bad Indians--part tribal history, part lyric and intimate memoir--is essential reading for anyone seeking to learn about California Indian history, past and present. Widely adopted in classrooms and book clubs throughout the United States, Bad Indians--now reissued in significantly expanded form for its 10th anniversary--plumbs ancestry, survivance, and the cultural memory of Native California. In this best-selling, now-classic memoir, Deborah A. Miranda tells stories of her Ohlone/Costanoan-Esselen family and the experiences of California Indians more widely through oral histories, newspaper clippings, anthropological recordings, personal reflections, and poems. This anniversary edition includes several new poems and essays, as well as an extensive afterword, totaling more than fifty pages of new material. Wise, indignant, and playful all at once, Bad Indians is a beautiful and devastating read, and an indispensable book for anyone seeking a more just telling of American history.
Although cross-cultural encounter is often considered an economic or political matter, beauty, taste, and artistry were central to cultural exchange and political negotiation in early and nineteenth-century America. Part of a new wave of scholarship in early American studies that contextualizes American writing in Indigenous space, Literary Indians highlights the significance of Indigenous aesthetic practices to American literary production. Countering the prevailing notion of the "literary Indian" as a construct of the white American literary imagination, Angela Calcaterra reveals how Native people's pre-existing and evolving aesthetic practices influenced Anglo-American writing in precise ways. Indigenous aesthetics helped to establish borders and foster alliances that pushed against Anglo-American settlement practices and contributed to the discursive, divided, unfinished aspects of American letters. Focusing on tribal histories and Indigenous artistry, Calcaterra locates surprising connections and important distinctions between Native and Anglo-American literary aesthetics in a new history of early American encounter, identity, literature, and culture.