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Set in southern India in the mid 1990s. Four strangers are on quests related to India's neem tree. Meenakshi runs a village-based women's project. Pandora is an eco scientist looking for a story. Jade wants natural products for a New York store. Andy hopes to find a cure for HiV/AIDS. The neem has been used since ancient times for household, medicinal and agricultural purposes and now is the centre of the clash between tradition and modernisation. When first published in India in 2003 Neem Dreams was widely acclaimed for the accuracy of observation and the pitch perfect depiction of the various characters.
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In Transcultural Writers and Novels in the Age of Global Mobility, Arianna Dagnino analyzes a new type of literature emerging from artists increased movement and cultural flows spawned by globalization. This "transcultural" literature is produced by authors who write across cultural and national boundaries and who transcend in their lives and creative production the borders of a single culture. Dagninos book contains a creative rendition of interviews conducted with five internationally renowned writersInez Baranay, Brian Castro, Alberto Manguel, Tim Parks, and Ilija Trojanowand a critical exegesis reflecting on thematical, critical, and stylistical aspects. By studying the selected authors ...
"A tale of three people on the edge. Three very different tourists visiting Bali are on their way to a remote village where a trance dance is to take place. They are on the edge of meeting, on the edge of leaving Bali for ever. Three tourists, unknown to each other..." "Nelson is twenty, and only wants to party on at Kuta Beach among the pretty boys, magic mushrooms and all-night dance clubs. Marla is forty, on her way to Europe and is enchanted by the island with its golden past. Tyler is thirty, from New York, but in Bali, on a mission..." "The Edge of Bali examines the exotic, ways of knowing and the culture of tourism, in one of the world's favorite destinations."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
3 eras, 3 women: linked by Berlin, performance art, and a poem In the 1890s young poet Erika Kieler attends the most progressive artistic salon in Berlin to perform her poem inspired by a visitor from the capital of the Ottoman Empire. In 1989, just before the Wall comes down, punk artist Trudi Zahn performs her own version of the same poem in an East Berlin club. And in 2009 Lottie Hoffmann prepares to perform Trudi's work at a cabaret for the 20th anniversary of the fall of the Berlin Wall. The story explores the drive for women's authentic creativity and personal freedom, cross-cultural exchange, interpretations of history, artistic influence, and a universe in which ghosts appear.
The essays in this collection ( on Canada, the USA, Australia and the UK) question and discuss the issues of cross-cultural identities and the crossing of boundaries, both geographical and conceptual. All of the authors have experienced cross-culturalism directly and are conscious that positions of ‘double vision’, which allow the / to participate positively in two or more cultures, are privileges that only a few can celebrate. Most women find themselves “caught between cultures”. They become involved in a day-to-day struggle, in an attempt to negotiate identities which can affirm the self and, at the same time, strengthen the ties which unites the self with others. Theoretical issue...
They were two little girls on a very big boat. In the 1930s, Ada and Leyla meet as children on a boat bringing migrants from Old Europe to the New World. They talk of seeing kangaroos yet end up living miles apart from each other in suburban Sydney. Their separations are often lengthy but their friendship endures across continents and decades and is a thread in this haunting story of writing, relationships and ageing. Ada (A.L. Ligeti) becomes an author, searching for a Utopian world, exploring aspects of patriarchy and gender in her groundbreaking feminist science fiction novel called Turn Left at Venus. That novel and its sequels are celebrated and much discussed by generations of fans....
Here creative writers who are also university teachers monitor their contribution to this popular discipline in essays that indicate how far it has come in the USA, the UK and Australia.
In eighth century India, Andal is born into a world where girls are married and with child by fourteen. Defying the mores of her time, she refuses marriage to a mortal man. Only a god will do. Andal’s imagination is boundless and her antics set the town’s tongues wagging. As Andal becomes more and more absorbed by her visions, she composes songs to her divine lover. Saisha discovers Andal’s songs in a book on a trip to India with her partner Marcus. The verses are confronting and unearth memories Saisha thought were long ago buried. Not only is she unable to conceive, for the past two decades Marcus has chosen celibacy. What defines her as a woman when these two primal desires remain unfulfilled? Andal’s words are deceptively simple, yet shine a lamp on the labyrinths of Saisha’s sexuality and her quest to find peace with the choices she has made.