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John Hoyland: The Last Paintings
Dappled brushwork, delicate hues and cloisonné textures dance across the surfaces of Cranston's still lives, landscapes and interiors Scottish painter Andrew Cranston (born 1969) creates transporting images that destabilize our sense of time: they invite the viewer to explore a space between nostalgia and the realm of the dream. Dense blots of oil graze on top of washes of distemper, guiding the viewer's eye through thick and thin layers of pigment. The paintings gathered in Waiting for the Bell conjure a state of liminality--the feeling of being suspended in a dream before the alarm jolts one back to reality--and draw from stories, poems and experiences that emerge from the artist's subconscious. Each painting's layering is guided by intuition: a reference to a Carole King album cover is interlaced alongside allusions to jazz history, the writing of Muriel Spark and visions of the Scottish coast. This substantial volume includes newly commissioned essays by Stephanie Burt and Barry Schwabsky.
Andrew Cranston
Andrew Cranston once described himself as a storyteller of sorts, though without a clear story to tell. He draws on a variety of sources including personal recollections – family histories; his circuitous route to art school via an initial, unsuccessful, foray into carpentry; and his 25-year association as both student and lecturer at Gray's School of Art in Aberdeen. Interwoven with passages culled from literature, anecdotes, jokes, and images from cinema these elements combine to make his idiosyncratic, intimate, and often dream-like, paintings. But the dream had no sound is the largest exhibition of Andrew Cranston’s work to date. It is accompanied by a 164pp publication, available for purchase, featuring an interview between the artist and his friend and colleague, painter Peter Doig. The book also includes over 60 illustrations - each with notes written by the artist - revealing the thoughts and associations that emerge in the process of making a painting.--Ingleby Gallery website.
Caroline Walker - Janet
Celebrated for her paintings of women in diverse contexts, from Los Angeles hotels to temporary social housing, Caroline Walker navigates subjects including the pay gap, the beauty industry, gender stereotypes, and ageism. Here she presents a body of work depicting the daily life of the artist's mother at the family home in Fife, Scotland.
Festival Proposals
From the 1st to 30th June 2006, artist Peter Liversidge typed and posted his Proposals for the Edinburgh Festival to the Ingleby Gallery. From the sublime to the ridiculous, 105 proposals were made and sent. Whilst 2 are suspected casualties of the Great British postal service, the surviving 103 have been collated in a book to be published by the gallery in August 2006.
Gary Fabian Miller
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Katie Paterson
'Katie Paterson can take you out of your realm - she is so original, engaging and expansive. She makes us realise how inconsequential we are in relation to the universe.' -- Cornelia ParkerA place that exists only in moonlight contains a series of artworks to exist in the imagination.Comprising over 100 short texts, each concerns the landscape, the universe, or an expanded sense of earthly and geological time. These poetic phrases take shape in the mind of whoever reads the words, and so become an expression of the idea itself.The cover of this beautiful pocket-book is printed with cosmic dust - a mixture of moondust, dust from Mars, shooting stars, ancient meteorites and asteroids.Published on the occasion of the exhibition, Katie Paterson & JMW Turner: A place that exists only in moonlight at Turner Contemporary, Margate (26 January - 6 May 2019). The largest UK exhibition of Paterson's to date, paired with a group of works by 19th century British romantic painter, JMW Turner.
British Art Show 9
An unrivaled survey of contemporary art from the UK Taking place every five years, the British Art Showis the largest touring exhibition of contemporary art in the UK. This catalog features artworks from its ninth edition, by artists including Hurvin Anderson, Michael Armitage, Simeon Barclay, Heather Phillipson and Alberta Whittle.
Portraits for NHS Heroes
All royalties, a minimum of £2.50 from the sale of each book, will be paid to NHS Charities Together (registered charity no. 1186569) to fund vital projects. When the UK went into lockdown in March 2020 to contain the spread of the Covid-19 virus, artist Tom Croft offered to paint an NHS key worker's portrait for free. Unsure how to help and offer his support, he wanted to capture and record the bravery and heroism of frontline workers who were risking their physical and mental health for our wellbeing. Tom suggested that other artists might want to do the same. He made his offer via video message on Instagram and was immediately contacted by Harriet Durkin, a nurse at the Manchester Royal ...
Auras
Artist's book with two sequences - one features images of aura photographic portraits and the other images of people levitating.
Callum Innes
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