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Ann Craven: Animals, Birds, Flowers, Moons
A panorama of painterly motifs, combined and reprised Ann Craven (born 1972) superimposes source photographs, historical works and her own paintings, creating mediated images that feature layer upon layer of referentiality--a collage of her most treasured curios. Peacocks showcase their plumage; birds perch on a branch; a trio of horses pose "just so." Through these acts of creation and recreation, Craven becomes both master and copyist, citing herself in her own art historical lineage. Animals, birds, flowers, moons: Craven's motifs are in themselves an incantation--a wish to repeat, reencounter, relive. In keeping with this process of revisitation, Craven's paintings are repeated in threes throughout this fully illustrated catalog, mimicking the tripartite structure of her Animals Birds Flowers Moonsexhibition. The book is divided into three parts, each paired with one of three texts: two newly commissioned essays by Durga Chew-Bose and Keith Mayerson, and a 2021 interview between Craven and Lois Dodd.
Karma
NEW YORK TIMES, USA TODAY, and PUBLISHERS WEEKLY BESTSELLER “Full of valuable insights to guide you.”—WILL SMITH “Thoughtful and life-affirming . . . a must-read.”—TONY ROBBINS “This book will put you back in charge of your own life.”—TOM BRADY A new perspective on the overused and misunderstood concept of “karma” that offers the key to happiness and enlightenment, from the world-renowned spiritual master Sadhguru. What is karma? Most people understand karma as a balance sheet of good and bad deeds, virtues and sins. The mechanism that decrees that we cannot evade the consequences of our own actions. In reality, karma has nothing to do with reward and punishment. Karma ...
Lee Lozano
A handsome and hefty clothbound compendium of Lozano's explorations of gender through drawing This 640-page volume comprises drawings from a critical six-year period in the development of American painter and conceptual artist Lee Lozano's (1930-99) practice. Her daring, facetious sketches investigate issues of gender and the body through the erogenous anthropomorphization of tools. Lee Lozano: Drawings 1958-64 includes two newly commissioned essays by Helen Molesworth and Tamar Garb. "What I love about Lozano--besides the crazy, ham-fisted quality of her drawn line, pictures made with pencils that appear to have been held with a fist--is how her demonstration of the word 'connection' is not bound to any of the anodyne ways we currently use it," writes Molesworth. "There's nothing about 'listening' or 'building community' or 'empathy' in any of these drawings. For Lozano, connection is fraught and hairy. Connection is dangerous."
Henni Alftan
Luminous scrutiny: close-up depictions of the everyday from Henni Alftan Paris-based Finnish painter Henni Alftan (born 1979) uses the tight framing of close-range photography to explore the similarities between painting and image-making. This comprehensive catalog gathers a selection of works from over the last eight years.
Paul Mogensen: Early 1968
Paul Mogensen (born 1941) had his first one-person exhibition at the Bykert Gallery, New York, in March 1967. A pioneering minimalist painter, Mogensen worked then--as now--on paintings guided by such ancient mathematical rules as the golden ratio. In early 1968, Mogensen boarded a rivet-plated British passenger ship in Madras (now Chennai), India, which traveled for six days to Penang Island, Malaya, off the west coast of Malaysia. He carried with him a children's notebook in which he drew a few ideas related to what he was seeing on his travels and worked on the arithmetic that continues to inform his paintings. Paul Mogensen: Early 1968 is a facsimile of the workbook from that time. An intimate volume, offering a glimpse of how Mogensen worked out his mathematical imagery in relation to the outside world, this publication is the only book available on this key minimalist artist.
Jonas Wood and Shio Kusaka
This catalog serves as a fully illustrated look into the world of artists Jonas Wood and Shio Kusaka, published in conjunction with the artists’ debut exhibition at Gagosian Gallery, Hong Kong. Both Kusaka’s porcelain vessels and Wood’s drawn and painted interiors are depicted within this new book in vibrant color plates and photographs. Wood and Kusaka draw from each other’s work as painter and potter to probe the tensions between representation and expression, precision and chance, and influences from art history and life. An insightful new text by art critic Chris Wiley accompanies color images of Wood and Kusaka at their shared studio on Blackwelder Street in Los Angeles, where they work alongside one another to create works that draw from personal memory and their shared existence as a married couple. This book was produced with Karma, NY.
Nicolas Party
Brussels- and Brooklyn-based Swiss artist Nicolas Party (born 1980) creates soft pastel drawings of trees, fruit, humans and landscapes that integrate his appetite for art history in their use of adopted pictorial languages. Party's works are focused around four consistent visual "characters" trees, fruit, humans and landscapes, rarely commingled in the same composition. Inspiration for his bare trees comes from Milton Avery; his single-stroke ocean swells from Ferdinand Hodler are occasionally lit by Felix Vallotton sunsets; and the eerie stares of his androgynous figures echo the apocalyptic vacancy of Christian Schad. These colorful pictures incorporate disparate and contradictory elements that create a complex optical effect of instability. Nicolas Party: Pastel documents the artist's 2017 show at Karma, New York, for which he conceived a unique environment in which to present the pastels.
Matthew Wong
Published on the occasion of his first solo exhibition in New York, this book provides an overview of Hong Kong-based Canadian self-taught painter Matthew Wong's (born 1984) drawings and paintings of lush, colorful invented landscapes in watercolor, gouache and oil.
Chron
CHRON is an approximately 500-page publication that collects over 300 collages and works on paper from a decade of Los Angeles-based artist Sterling Ruby's (born 1972) practice. Vivid backgrounds and a variety of media compose the intricate, geometric collages and reference the artist's painting and sculptural work. Ruby's DRFTRS and EXHM series are also collected here. The latter, massive pieces of cardboard originally used as a shell for the studio floor, are painted in deep hues of primary colors and exhibit the continued accrual of urethane and studio debris, a technique the artist continues to explore today. Proclaimed one of the most interesting artists to emerge in this century by New York Times art critic Roberta Smith, Ruby--with his graffiti-based spray paint drawings, nail-polish abstractions and inscribed Formica sculptures--has perfected a sort of anti-minimalism, here compiled in this massive new volume.
The Mayor of Leipzig
An acidic portrait of the grifters and pretenders of the art world, from the celebrated author of The Mars Room In Rachel Kushner's latest work of fiction, The Mayor of Leipzig, an unnamed artist recounts her travels from New York City to Cologne--where she contemplates German guilt and art-world grifters, and Leipzig--where she encounters live "adult entertainment" in a business hotel. The narrator gossips about everyone, including the author. "Taking a time out from what happened to me in Cologne and in Leipzig," Kushner writes, "I want to let you in on a secret: I personally know the author of this story you're reading. Because she fancies herself an art world type, a hanger-on. Who would...
