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Empathy, Sociality, and Personhood
This book explores the phenomenological investigations of Edith Stein by critically contextualising her role within the phenomenological movement and assessing her accounts of empathy, sociality, and personhood. Despite the growing interest that surrounds contemporary research on empathy, Edith Stein’s phenomenological investigations have been largely neglected due to a historical tradition that tends to consider her either as Husserl’s assistant or as a martyr. However, in her phenomenological research, Edith Stein pursued critically the relation between phenomenology and psychology, focusing on the relation between affectivity, subjectivity, and personhood. Alongside phenomenologists l...
Phenomenology of Bioethics: Technoethics and Lived-Experience
This book offers a unique description of how phenomenology can help professionals from medical, environmental and social fields to explore notions such as interaffectivity, empathy, epoche, reduction, and intersubjective encounter. Written by a group of top scholars, it uniquely covers the relationship between phenomenology and bioethics, and focuses not only on medical cases, but also on the environment and emerging technologies. This variety of themes, whilst including techno-ethics, environmental ethics, animal ethics, and medical ethics, is conducive to appreciating broadly how phenomenology can improve our quality of our life. Despite its difficult themes, the book appeals to an audience of both academics and professionals who are willing to understand how to increase the quality of care in their professional field. Chapter 8 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Unamuno and Kierkegaard
Miguel de Unamuno was profoundly influenced by S ren Kierkegaard's pseudonymous works at a time when Kierkegaard was virtually unknown in Southern Europe. This book explores the scope and character of that influence, clarifies misconceptions in the relationship between the authors, and offers an original, Kierkegaardian reading of three of Unamuno's best known novels: Niebla, San Manuel Bueno, m rtir, and Abel S nchez. Both authors hold a "self as achievement" view in which the authentic self is seen as the result of the choices one makes over a lifetime. For Kierkegaard, the spheres of existence-the esthetic, the ethical, and the religious-are "stages on life's way" to becoming an authentic self before God. Unamuno, however, holds that the same spheres of existence offer equally valid modes of authentic existence as long as one chooses them freely and passionately. This book will be of great interest to scholars of existentialism, Unamuno, and Kierkegaard.
Aesthetics and the Philosophy of Art
For over fifty years, philosophers working within the broader remit of analytic philosophy have developed and refined a substantial body of work in aesthetics and the philosophy of art, curating a core foundation of scholarship which offers rigor and clarity on matters of profound and perennial interest relating to art and all forms of aesthetic appreciation. Now in its second edition and thoroughly revised, Aesthetics and the Philosophy of Art—The Analytic Tradition: An Anthology captures this legacy in a comprehensive introduction to the core philosophical questions and conversations in aesthetics. Through 57 key essays selected by leading scholars Peter Lamarque and Stein Haugom Olsen, ...
Emotional Experiences
Emotions are among the most fundamental human capacities. They help us to adequately and quickly respond to environmental affordances of all kinds. Being capable of emotional responses we are inextricably attached to our natural and social environment. These tight emotional bonds to the world we inhabit are immediately conspicuous when we find ourselves in the grip of strong feelings like fear, love, hate or disgust. They are also present in all other kinds of emotions, for instance, feelings of awe, compassion or artistic enthusiasm. This volume tracks a variety of emotions in a phenomenological manner. It explores the intertwinement of cognitive content and feeling qualities of different emotions, their varying motivational and expressive qualities, their bodily manifestations, and social and moral implications. This focus on a phenomenology of emotion reveals the rich meaning of emotions that results from their embeddedness in our social and moral life. The authors describe the peculiar character of human emotions from the first- and second-person point of view of those subjects who undergo and regularly share these emotions.
The Routledge Handbook of Emotion Theory
Research on the emotions is proliferating in philosophy and the hard cognitive sciences and has cognate, areas of interest in sociology, anthropology, and other disciplines. The Routledge Handbook of Emotion Theory brings together advances on foundational issues from this widespread field, synthesizing work for a broad readership of advanced students and researchers. Focusing on the groundwork of theoretical research, the volume is a required resource for anyone working in emotions research. The Handbook includes 51 chapters--written exclusively for this volume by an interdisciplinary team of scholars--a general introduction, comprehensive bibliography, and detailed subject index. It is written and edited for a multidisciplinary audience of advanced undergraduates, graduate students, and researchers across a multitude of disciplines.
The Invisible Dragon
The Invisible Dragon made a lot of noise for a little book When it was originally published in 1993 it was championed by artists for its forceful call for a reconsideration of beauty—and savaged by more theoretically oriented critics who dismissed the very concept of beauty as naive, igniting a debate that has shown no sign of flagging. With this revised and expanded edition, Hickey is back to fan the flames. More manifesto than polite discussion, more call to action than criticism, The Invisible Dragon aims squarely at the hyper-institutionalism that, in Hickey’s view, denies the real pleasures that draw us to art in the first place. Deploying the artworks of Warhol, Raphael, Caravaggio...
Empathy, Intersubjectivity, and the Social World
The volume gathers together over twenty contributions that emerged from a conference held in in honour of Dermot Moran on the occasion of his retirement from University College Dublin. The book explores the contribution of phenomenology to empathy, intersubjectivity, affectivity, and the constitution of the cultural and social world, from both a historical and an applied philosophical perspective. Theoretical and methodological differences in approach notwithstanding, phenomenologists have converged in the recognition that self and others are fundamentally related, and have provided fine-grained accounts of the origin, forms, and implications of such relationship. The volume critically recon...
The Emotions
What are 'emotions'? This book offers a balanced survey of facts and theory.
Film, Art, and the Third Culture
Murray Smith presents an original approach to understanding film. He brings the arts, humanities, and sciences together to illuminate artistic creation and aesthetic experience. His 'third culture' approach roots itself in an appreciation of scientific innovation and how this has shaped the moving media.
