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An artistic periodical.
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This ground-breaking collection explores the assumptions behind and practices for performance implicit in the manuscripts and playtexts of the medieval and early modern eras, focusing on work which engages with performance-oriented research.
The story of an innovative designer and farsighted art entrepreneur and the important role he played in the dissemination of 19th-century Aestheticism This book follows the phenomenal rise of Daniel Cottier (1838-91) from an apprentice coach painter in Glasgow to the founder of Cottier & Co., a fine and decorative arts business with branches on three continents. This gifted designer and brilliant art entrepreneur keenly spotted one of the key aspects of late 19th-century bourgeois culture--its focus on family, home, and church--and seized the artistic and commercial opportunities of the building and decorating boom that it brought about. Cottier was a proponent of Aestheticism, an international trend in the history of culture, art, and design from about 1860 to 1900: he understood the era's desire for beauty and realized the economic possibilities of its commoditization. Beyond biography, therefore, this book illuminates a significant event of late 19th-century cultural history-- Aestheticism's cult of beauty meeting with the bourgeoisie's financial ability to possess it.
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