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Gender and Identity in the Works of Osonye Tess Onwueme
  • Language: en
  • Pages: 332

Gender and Identity in the Works of Osonye Tess Onwueme

This is a seminal analysis of the present sixteen plays and one novel by Osonye Tess Onwueme, who is Africa's most prolific and versatile female playwright. This book emerges as an invaluable African contribution towards the controversial global discourse on gender, race, tradition and modernity and demonstrates the interconnectivity of the African in the African continent and in the Diaspora. The text comprises an introduction, seven exclusive chapters of insightful appraisal of Onwueme's work, a comprehensive interview and a chronolgy of her life and work.

Emerging Perspectives on Chinua Achebe
  • Language: en
  • Pages: 488

Emerging Perspectives on Chinua Achebe

Chinua Achebe's influence on contemporary African literature is as much in evidence in his art of the novel as his theory of African literature and literary criticism. ISINKA (Igbo term for artistic purpose') establishes Achebe's legacy as a literary theorist and critic. In these essays scholars from around the globe assess and establish how much Achebe's extra-fictional ideas about African literature and literature in general are justified in his own creative works.'

Children's Literature & Story-telling
  • Language: en
  • Pages: 225

Children's Literature & Story-telling

Contributors analyse the theories behind children's literature, its functions and cultural significance, and suggest the new directions this literature is taking in terms of its craft, themes and intentions.

War in African Literature Today
  • Language: en
  • Pages: 194

War in African Literature Today

Since the second half of the twentieth century, no single phenomenon has marred the image and development of Africa more than senseless fratricidal wars which rapidly followed the political independence of nations. This issue of African Literature Today is devoted to studies of how African writers, as historical witnesses, have handled the recreation of war as a cataclysmic phenomenon in various locations on the continent. The contributors explore the subject from a variety of perspectives: panoramic, regional, national and through comparative studies. War has enriched contemporary African literature, but at what price to human lives, peace and the environment? ERNEST EMENYONU is Professor of the Department of Africana Studies University of Michigan-Flint. The contributors include: CHIMALUM NWANKWO, CHRISTINE MATZKE, CLEMENT A. OKAFOR, INIBONG I. UKO, OIKE MACHIKO, SOPHIE OGWUDE, MAURICE TAONEZVI VAMBE, ZOE NORRIDGE and ISIDORE DIALA. Nigeria: HEBN

African Women Writers and the Politics of Gender
  • Language: en
  • Pages: 230

African Women Writers and the Politics of Gender

This work examines the work of a group of African women writers who have emerged over the last forty years. While figures such as Chinua Achebe, Ben Okri and Wole Soyinka are likely to be the chief focus of discussions of African writing, female authors have been at the forefront of fictional interrogations of identity formation and history. In the work of authors such as Mariama Bâ (Senegal), Buchi Emecheta (Nigeria), Chimamanda Ngozi Adichie (Nigeria), Tsitsi Dangarembga (Zimbabwe), and Leila Aboulela (Sudan), there is a clear attempt to subvert the tradition of male writing where the female characters are often relegated to the margins of the culture, and confined to the domestic, privat...

A Study Guide for Chinua Achebe's
  • Language: en
  • Pages: 25

A Study Guide for Chinua Achebe's "Dead Man's Path"

A Study Guide for Chinua Achebe's "Dead Man's Path," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.

New Directions in African Literature
  • Language: en
  • Pages: 194

New Directions in African Literature

Contributors to this volume ask what are the new directions of African literature? What should be the major concerns of writers, critics and teachers in the twenty-first century? What are the accomplishments and legacies? What gaps remain to be filled, and what challenges are there to be addressed by publishers and the book industry? What are the implications for pedagogy in the new technological era? ERNEST EMENYONU is Professor of the Department of Africana Studies University of Michigan-Flint. North America: Africa World Press; Nigeria: HEBN

Queer Theory in Film & Fiction
  • Language: en
  • Pages: 298

Queer Theory in Film & Fiction

ALT 36 turns a queer eye on Africa, offering provocative (re-)readings of texts to position formerly erased sexualities and contemporary sexual expression among Africans on the continent, and abroad.

A Companion to Chimamanda Ngozi Adichie
  • Language: en
  • Pages: 314

A Companion to Chimamanda Ngozi Adichie

Frontcover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction -- 1. Narrating the Past: Orality, History & the Production of Knowledge in the Works of Chimamanda Ngozi Adichie -- 2. Deconstructing Binary Oppositions of Gender in Purple Hibiscus: A Review of Religious/Traditional Superiority & Silence -- 3. Adichie & the West African Voice: Women & Power in Purple Hibiscus -- 4. Reconstructing Motherhood: A Mutative Reality in Purple Hibiscus -- 5. Ritualized Abuse in Purple Hibiscus -- 6. Dining Room & Kitchen: Food-Related Spaces & their Interfaces with the Female Body in Purple Hibiscus -- 7. The Paradox of Vulnerability: The Child Voice in Purple Hibiscus -- 8. 'Frag...

Performative Inter-Actions in African Theatre 1
  • Language: en
  • Pages: 209

Performative Inter-Actions in African Theatre 1

This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The cont...