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The community of Paulatuuq first proposed the establishment of a national park in the region in 1988. In 1996, following five years of negotiations, the Inuvialuit Regional Corporation, the Inuvialuit Game Council, the Paulatuuq Community Corporation, the Paulatuuq Hunters and Trappers Committee, the Government of Canada, and the Government of the Northwest Territories signed the Tuktut Nogait Agreement. In 1998, Parliament established Tuktut Nogait National Park in legislation.
Rebirth on the Land
Around the planet, Indigenous people are using old and new technologies to amplify their voices and broadcast information to a global audience. This is the first portrait of a powerful international movement that looks both inward and outward, helping to preserve ancient languages and cultures while communicating across cultural, political, and geographical boundaries. Based on more than twenty years of research, observation, and work experience in Indigenous journalism, film, music, and visual art, this volume includes specialized studies of Inuit in the circumpolar north, and First Nations peoples in the Yukon and southern Canada and the United States.
Arctic Winter Games – Nuuk 2016
Sanauyat – The Art Issue Guest Editor: Brian Kowikchuk, The Artists Hub – Authentically Indigenous
Inuit United
Cette bibliographie annotée et bilingue dresse le bilan des magazines, revues, journaux et bulletins publiés par les Inuits du Canada ou à leur sujet depuis plus de 100 ans – plus précisément depuis la parution du tout premier périodique canadien en inuktitut, Aglait Illunainortut, au Labrador en 1902.
We Are Inuvialuit
Alternative media hold the promise of building public awareness and action against the constraints and limitations of media conglomeration and cutbacks to public broadcasting. These media are becoming key venues for community expression and political debate, but what is it that makes them alternative? The contributors to this path-breaking volume answer this question by examining the evolution of various kinds of alternative media – including indigenous, anarchist, ethnic, and feminist media – against the backdrop of political, economic, and cultural developments in Canada. They get at the heart of alternative media by focusing on the three interconnected dimensions that define them: structure, participation, and activism. Alternative Media in Canada not only reveals how alternative media are enabled and constrained within Canada’s complex media and policy environment; it also shows that, in the context of globalization, the Canadian experience parallels media and policy challenges in other nations.