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Lift Every Voice and Sing II
"Horace Clarence Boyer ... served ... as general editor"--P. x.
Eldercare as Art and Ministry
This book addresses the fact that, despite the inevitability of aging, the vast majority of us are ill-prepared for eldercare. Eldercare as Art and Ministry broadens and deepens an understanding of eldercare as an art and as a ministry. As art, eldercare requires creativity, imagination, and perseverance. Here, ministry is considered in its fullest meaning, to include guiding, administering, serving, waiting upon, or acting as a loved one's agent. Through stories, lessons, and poignant vignettes, Jackson-Brown calls each one of us—whether young or older, ordained or laity, fortunate or less fortunate, prepared or not—to serve and care for an aging loved one. For lay people and professionals, this book is a guide to navigate the challenges of eldercare and to find meaning in this important work.
Lift Every Voice and Sing II Accompaniment Edition
This popular collection of 280 musical pieces from both the African American and Gospel traditions has been compiled under the supervision of the Office of Black Ministries of the Episcopal Church. It includes service music and several psalm settings in addition to the Negro spirituals, Gospel songs, and hymns.
When the Members Are the Missionaries
Member Waynes words call us to the mission begun by Jesus Christ to heal the world and to nourish each other along the way a valuable resource for clergy and lay people. - Mary Ann Brody Member I like the basic hypothesis and the real people situations. - Ransom Duncan Pastor of an Urban Congregation A clear map for clergy to take the Sunday experience into the rest of the week. No one is forgotten! - Mary Martin
Black Hymnody
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Out of Sight
A product of old-fashioned, back-wearying, foundational scholarship, yet very readable, this book is certain to feature importantly in future studies of early jazz and its prehistory. Highly recommended. ? Library Journal. This volume makes possible the study of the rise of black music in the days that paved the way for the Harlem Renaissance?the brass bands, the banjo and mandolin clubs, the male quartets, and theatrical companies. Summing up: Essential. ? Choice Outstanding Academic Title. A landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines mu...
Sweet Thing
As children, many of us learn to sing, "If you're happy and you know it, clap your hands." But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the "Sweet Thing," has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs "My Baby" and "Motherless Children," country songs "Peg and Awl" and "Crawdad Song," and gospel songs "Pure Religion" and "This Train" use this form, along with popular songs like Ray Charles's "I Got a Woman," The Beatles...
In Spirit and in Truth
Costen concludes by offering models and suggestions for helping those who plan worship to listen for the leading of the Holy Spirit and ultimately challenges music and worship leaders to reclaim traditional African American spirituality and its presence in the music experienced in African American worship."--BOOK JACKET.
Who Hears Here?
Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist whose prescient theoretical and critical interventions have bridged Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey’s search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip-hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to readers to continue to ask the hard questions and write the hard truths.
California Soul
"Documented with great care and affection, this book is filled with revelations about the intermingling of peoples, styles of music, business interests, night-life pleasures, and the strange ways lived experience shaped black music as America's music in California." —Charles Keil, co-author of Music Grooves
