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'Penthos is precisely the kind of book most of us need today-something utterly unfashionable that can cut through the trendiness of contemporary spiritual consumerism. It is a book for serious people, about a serious subject. Besides being a very nice piece of historical theology, it qualifies as a fine book for devotional reading'-Worship. 'This book (as difficult as it is) will be of interest to students of the spirituality of the Christian East, to those who have made the Jesus Prayer an integral part of their spiritual discipline, and to others who wish to deepen their understanding of how our Christian identity is formed'-The Living Church.
Maximus the Confessor, saint and martyr, is the theologian of synthesis: of Rome and Byzantium, of Eastern and Western theology, of antiquity and the Middle Ages, reexcavating the great treasures of Christian tradition, which at that time had been buried by imperial and ecclesial censure. Von Balthasar was an authority on the Church Fathers-Irenaeus, Origen, Gregory of Nyssa, Evagrius Ponticus, Augustine, and above all, Maximus the Confessor. This masterpiece on Maximus broke new ground at that time. Subsequent editions included new material from decades of research. This is the first English translation of the latest edition of this acclaimed work. This book presents a powerful, attractive, religiously compelling portrait of the thought of a major Christian theologian who might, for this book, have remained only an obscure name in the handbooks of patrology. It is based on an intelligent and careful reading of Maximus's own writings. Here the history of theology has become itself a way of theological reflection.
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Emotions in Byzantium came to life through hymnody, which invited the faithful to step into a liturgical world of compunction.
In a day when psychological counseling sometimes passes as spiritual direction', this book reminds us that early Christians--like Eastern Christians still today--were convinced that only someone with long and deep experience in prayer and discipline can dare to lead others along the way to God.
Drawing on a range of philosophical and theological writings produced in eleventh-century Byzantium, this book offers a reading of the icon and Byzantine aesthetics that not only expands our understanding of these topics but challenges our assumptions about the work of art itself.
This volume discusses the development of Isaac of Nineveh's eschatology through an examination of his use of Syriac source material.
The first comprehensive study of the Jesus Prayer, and its origins and use, providing an overview of this ancient mystical prayer practice from the Christian East which is now also widely used in the Western Church.
This book examines doctrinal conflicts concerning the dual nature of Christ in the period after the Council of Chalcedon by considering the life and works of Philoxenos of Mabbug (c.440-523), a Syriac theologian whose surviving corpus amounts to some 500,000 words.
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR