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The Means by Which We Find Our Way; Observations on Design
The book The means by which we find our way: Observations on design looks at how graphic designers and educators navigate both the visual and the printed landscape. By the varied responses to similar visual design problems, personal reflections on design experiences and the consequent included essays, this book intends to provide a platform for learning and be a source for new collaborations and initiatives within the field of both design and design education. Including submissions from design educators from over twenty countries and representing over fifty institutions. Lisa M. Abendroth, Guido Alvarez, Jason Bader, Helena Barbosa, Jeff Barlow, Eric Benson, Jim Bryant, Audra Buck-Coleman, K...
Typography Workbook
DIVThe Typography Workbook provides an at-a-glance reference book for designers on all aspects of type. The book is part of Rockport's popular Workbook series of practical and inspirational workbooks that cover all the fundamental areas of the graphic design business. This book presents an abundance of information on type - the cornerstone of graphic design - succinctly and to the point, so that designers can get the information they need quickly and easily. Whereas many other books on type are either very technical or showcase oriented, this book offers ideas and inspiration through hundreds of real-life projects showing successful, well-crafted usage of type. The book also offers a variety of other content, including choosing fonts, sizes, and colors; incorporating text and illustrations; avoiding common mistakes in text usage; and teaching rules by which to live (and work) by. /div
Typography
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Artbyte
The magazine of digital arts.
Art Directors Annual
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农文旅品牌创建：基于视觉形象视角
本書旨在對農文旅融合模式及推動我國農文旅融合發展的重要因素進行梳理與界定，探索基於視覺形象視角的農文旅品牌創建優勢以及相關的農產品、農業企業和旅遊品牌的設計、管理與營銷架構，分析品牌創建中視覺形象設計以及與市場營銷相關的藝術設計方案，剖析農文旅品牌創建及推廣的實踐案例，以期為我國全面推進鄉村振興戰略獻計獻策。
World's Fairs
As showcases of design, architecture, technology, industry and politics, world's fairs have served as overviews of society's accomplishments as well as barometers of the optimism for the future. While many of the products and ideas promoted at past fairs never materialized, many became commonplace: television, for example, was first shown at the 1939 New York fair. Similarly, while many buildings and landscapes built for fairs have become world-wide icons - the Eiffel Tower, the Crystal Palace, the Barcelona Pavilion, the Seattle Space Needle, the Buckminster Fuller Dome in Montreal - hundreds of splendid structures have been forgotten.
