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The Moral Psychology of Trust
Is it good to be trusting, or should we be wary of trusting others? Trust seems to be the basis of large-scale social cooperation and even of democracy itself, but in recent years many commentators and researchers have lamented the dawn of a post-trust era. Edited by David Collins, Iris Vidmar Jovanović, and Mark Alfano, The Moral Psychology of Trust examines trust from a variety of perspectives in philosophy and the social sciences. The contributors explore topics such as the nature of trust and its connection to a range of other emotions, conditions under which it is good to be trusting and trustworthy, and what role trust might play in our intellectual, moral, and political lives. The chapters apply theoretical perspectives on trust to a number of issues of current concern, including how trust can and should function in conditions of social oppression, trust and technology, trust and conspiracy theories, the place of trust in medical ethics, and the ethics of trust in a variety of interpersonal relationships.
Perspectives on Trust in the History of Philosophy
This edited volume examines the topic of trust and its place in the thought of several key figures from the history of philosophy. Drawing on thinkers and philosophical traditions from across the globe, the chapters focus especially on trust's moral and social dimensions.
The Philosophy of Poetry
In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening. Poetry is the sole exception. This is an astonishing omission, one this collection of original essays will correct. If contemporary philosophy still regards metaphors such as 'Juliet is the sun' as a serious problem, one has an acute sense of how prepared it is to make philosophical and aesthetic sense of poems such W. B. Yeats's 'The Second Coming', Sylvia Plath's 'Daddy', or Paul Celan's 'Todesfuge'. The Philosophy of Poetry brings together philosophers of art, language, and mind to expose and address ...
Apt Imaginings
Apt Imaginings addresses the question of how our emotions and desires for the contents of fictions, fantasies, and other products of the imagination relate to the feelings we have about things in the real world. A contribution to the theory of the emotions, the philosophy of fiction, and the psychology of art, this book argues that the normative criteria that determine the fit, morality, or rationality of our feelings for what we believe are distinct from those criteria that apply to what we imagine.
Literature and Philosophy in Nineteenth-Century British Culture
This three-volume collection of primary sources examines philosophy and literature in the nineteenth-century Britain. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of British Literature and Philosophy.
A Perfectionist Theory of Justice
Many liberal political philosophers hold that the state should not impose or even promote any particular conception of the good life or human flourishing. It should not, for instance, enact laws and policies designed to elevate citizens' tastes, to refine their sensibilities or to perfect their characters. Instead, the state should restrict itself to maintaining a fair framework of rights and opportunities within which all citizens can pursue their own beliefs about what constitutes a good life. Against this backdrop, Collis Tahzib develops a version of perfectionist political philosophy. Whereas previous perfectionists have argued that the promotion of flourishing ways of life is permissibl...
Screen Stories and Moral Understanding
"The introduction argues for the importance of screen stories in relation to moral understanding, first discussing the fundamental role of storytelling in human cultures, then moving into the specific nature of moving image narratives and the institutional contexts in which they are seen. The introduction also discusses the interdisciplinary nature of the book, with its chapters coming from scholars representing various disciplines and their methodologies and terminologies. It identifies and discusses aesthetic cognitivism, the idea that one benefit of the arts is the cognitive benefits they provide. In this case the cognitive benefit in question is moral understanding. Last, the introduction surveys the outline of the book, with its sections on the nature of moral understanding, transfer and cultivation, affect, character engagement, and the reflective afterlife of screen stories"--
What is Beauty? A Multidisciplinary Approach to Aesthetic Experience
Does art need to be beautiful? Can humour be beautiful? What is the relationship between beauty and mimetic behaviour? What does literature have to do with beauty? What are the limitations of neuroscientific approaches to beauty? Are the experience of beauty and the production of “art” confined to anatomically modern humans? Is the experience of beauty confined to humans at all? These are just some of the questions discussed in this volume. It gathers together authors from different areas of research, including philosophy, history of philosophy, history of ideas, cognitive biology, neuroscience, anthropology and paleoanthropology, in order to investigate some of the most debated aspects of the problem of beauty and aesthetic experience. The volume will appeal to both the general reader and the specialist in the humanities, social sciences and the natural sciences.
Philosophy of Film Without Theory
This book challenges the long-standing presumption that serious philosophical engagement with film and television must be theoretical. It demonstrates, by example, how philosophy of film and film studies can move beyond the methodological assumption that understands philosophical to mean theoretical. In seventeen specially commissioned essays, one in-depth interview, and one reprint, leading philosophers and film scholars exploit the approaches, arguments, and insights of Ludwig Wittgenstein, Stanley Cavell, Iris Murdoch, Augustine, Berys Gaut, Noël Carroll, and Ordinary Language Philosophy, in exploring, amongst others, Gravity, Lone Star, The Handmaid’s Tale, Le notti di Cabiria, Dunkirk, L'Année dernière à Marienbad, Visitors, The Night it Rained, Philadelphia Story, Shoah, Mary Magdalene, Psycho, Blue Jasmine, Three Colours: Red, War Games, and Histoire(s) du Cinéma. In so doing, this collection argues for the power of theory-free philosophy and film studies as a way to expand our humanistic understanding.
The Oxford Handbook of Ethics and Art
"Art has not always had the same salience in philosophical discussions of ethics that many other elements of our lives have. There are well-defined areas of "applied ethics" corresponding to nature, business, health care, war, punishment, animals, and more, but there is no recognized research program in "applied ethics of the arts" or "art ethics." Art often seems to belong to its own sphere of value, separate from morality. The first questions we ask about art are usually not about its moral rightness or virtue, but about its beauty or originality. However, it is impossible to do any serious thinking about the arts without engaging in ethical questions"--
