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Saudade
A coming-of-age story set in Angola in the period leading up to the colony’s independence, Saudade focuses on a Goan immigrant family caught between complicity in Portuguese rule, and their dependence on the Angolans who are their servants. The title (saudade means ‘melancholy’ in Portuguese) speaks to the longing for homeland that haunts its characters, and especially the young girl who is the book’s protagonist and narrator. Suneeta Peres da Costa’s novella captures with intense lyricism the difficult relationship between the daughter and her mother, and the ways in which their intimate world opens up questions about domestic violence, the legacies of Portuguese slavery, and the end of empire. The young woman’s intellectual awakening unfolds into a growing awareness of the lies of colonialism, and the violent political ruptures that ultimately lead to her father’s death, and their exile. ‘[Her] voice is unique: neither childlike nor grownup, but instead by turns gravely articulate, wildly poetic, and hilariously original…a haunting and magical vision of childhood.’ Austin Chronicle
In Too Deep
Gwendolynne Price discovers sensual notes written for her in a suggestion box at work and becomes intrigued about the increasingly bold writer. She wonders if he might be handsome professor Daniel Brewster, but when she begins to chat online with her mystery admirer, she finds it difficult to separate reality from fantasy.
Off the Record
In Off the Record, author and pianist Neal Peres Da Costa explores Romantic-era performance practices through a range of early sound recordings--acoustic, piano roll and electric--that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century.
Politicizing Creative Economy
Scholars increasingly view the arts, creativity, and the creative economy as engines for regenerating global citizenship, renewing decayed local economies, and nurturing a new type of all-inclusive politics. Dia Da Costa delves into these ideas with a critical ethnography of two activist performance groups in India: the Communist-affiliated Jana Natya Manch, and Bhutan Theatre, a community-based group of the indigenous Chhara people. As Da Costa shows, commodification, heritage, and management discussions inevitably creep into performance. Yet the ability of performance to undermine such subtle invasions make street theater a crucial site for considering what counts as creativity in the cult...
John DaCosta
None
Marketing English Books, 1476-1550
Explores how the earliest printers moulded demand and created new markets and argues that marketing changed what was read and the place of reading in sixteenth-century readers' lives, shaping their expectations, tastes, and their practices and beliefs.
The Accidental Mistress
Having met under unusual circumstances when he first mistook her for a high price call-girl, Lizzie is now enjoying a passionate relationship with brooding millionaire, John Smith. However, haunted by the demons of a past he won't talk about, John seems unable to offer her more than a no-strings-attached affair.
The Book of Recruiting; Da Costa Style
This book is a compilation of my thoughts, tips, tricks, and advice as it relates to staffing and Sourcing.
The Accidental Call Girl
It’s the ultimate fantasy: When Lizzie meets an attractive older man in the bar of a luxury hotel, he mistakes her for a high class call girl on the look-out for a wealthy client. With a man she can’t resist... Lizzie finds herself following him to his hotel room for an unforgettable night where she learns the pleasures of submitting to the hands of a master. But what will happen when John discovers that Lizzie is far more than she seems...? A sexy, thrilling erotic romance for every woman who has ever had a “Pretty Woman” fantasy. Part One of the ‘Accidental’ Trilogy.
