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This autobiography of the first Dean of the College of Agriculture at Cornell University offers an unconventional account of farm life in New York and the Middle West during the nineteenth century, and of the difficulties attendant upon building up a vital and progressive agricultural college. Born in Seneca County, New York, in 1833, Isaac Phillips Roberts emigrated west—first to Indiana, where he worked as a carpenter until he was able to buy a farm, and taught school during the winters; then, in 1862, to Mount Pleasant, Iowa, in a pioneer wagon with his wife, Margaret, and daughter. In 1869, he became the Superindent of the Farm and Secretary of the Board of Trustees of the Iowa Agricul...
In this refreshing and inspiring book, Phil Roberts asserts that poetry, like music, is based on sound and so close attention should be paid to its rhythms and metrical patterns. He illustrates his points with lively examples ranging from nursery rhymes and limericks to recent experimental forms as well as familiar pieces from over the centuries. The book concludes with a Millennium Anthology, a salute to the poetry of the past thousand years, including pieces from England, Ireland, Scotland and Wales, as well as Australia, Canada, New Zealand and the USA.
An incisive book that clearly explains the Mormons' basic beliefs and sharply refutes their subtle heresies. Offers Christians an easy-to-use guide on witnessing to Mormons.
Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various media agents as well as artistic directors, producers, and directors also pursue separate agendas in shaping the reputations of theatrical works. In The Making of Theatrical Reputations Yael Zarhy-Levo demonstrates the processes through which these mediatory practices by key authority figures situate theatrical companies and playwrights within cul...
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