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"The Diary is an innovative and complex work of both prose and poetry. It stands among the first works of prose in the Spanish language to capture the images and urban landscapes of New York City, revealing as well surprising degrees of modernity and social sensitivity. It is equally innovative in its cultivation of free verse, and historically important for introducing, for the first time in Spanish literature, a new mode of poetic composition."--Jacket.
A CHOICE Outstanding Academic Book Modernismo arose in Spanish American literature as a confrontation with and a response to modernizing forces that were transforming Spanish American society in the later nineteenth century. In this book, Cathy L. Jrade undertakes a full exploration of the modernista project and shows how it provided a foundation for trends and movements that have continued to shape literary production in Spanish America throughout the twentieth century. Jrade opens with a systematic consideration of the development of modernismo and then proceeds with detailed analyses of works-poetry, narrative, and essays-that typified and altered the movement's course. In this way, she s...
Presents a collection of critical essays about Marquez's, "One hundred years of solitude."
First English translation of these important works by two of Spains most gifted writers and intellectuals. Following the defeat of the Second Spanish Republic, María Zambrano (19041991) and Rosa Chacel (18981994), two of Spains most gifted intellectuals and writers, wrote compelling meditations on the meaning of confession in life and literature. Noël Valis and Carol Maier provide the first complete English-language translations of these essays. Zambrano and Chacel were friends, if not always amicably so; supporters of the Republic; and exiles. Both disciples of the philosopher Ortega y Gasset, they were nevertheless able to establish their own creative independence in their writing. Not only do the essays address national issues centered on Spanish literature, culture, and history, they also offer a unique philosophical-spiritual and literary approach to confession within the areas of philosophy, literature, religion, autobiography, womens and gender studies, and cultural studies. The translators introduction, afterword, and meticulous annotations supplement the texts.
The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.
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Includes entries for maps and atlases.
This volume contains thirty-four original research-articles, dealing with varied themes, authors, periods and preoccupations in Hispanic literature, society and culture: More's Utopia and an early Spanish translation, Lope de Vega and Shakespeare, Calderon, Cervantes, Cafes in fortunata y Jacinta, Unamuno, Machado, Baroja and the modernist aesthetic, realism in the post war novel, death and resurrection in Lorca, play into film, Juan Ramon Jimenez, language and cultural identity, reading Valente, Salvador Espriu and Narcis Oller, Eca de Queiroz, Jose Regio and Peruvian poet-novelists.