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The Living Line
Robin Veder's The Living Line is a radical reconceptualization of the development of late-nineteenth- and early-twentieth-century American modernism. The author illuminates connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture, fundamentally altering our perceptions about art and the physical, and the degree of cross-pollination in the arts. The Living Line shows that American producers and consumers of modernist visual art repeatedly characterized their aesthetic experience in terms of kinesthesia, the sense of bodily movement. They explored abstraction with kinesthetic sensibilities and used abstraction to ach...
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Rio Grande Sand in Your Shoes
Told through the eyes of Isabel Ziegler, this book provides an important contribution to the historical literature of Espanola, New Mexico and the surrounding communities through its portraits of local people and events. Isabel and her husband, Dr. Samuel Ziegler, and their two young sons moved to Espanola in early 1946 as a result of Dr. Ziegler’s having been invited to help build a local hospital. The Zieglers soon became involved in their community. Isabel helped start a local library, was a member of the noted local trio, Las Conquistadoras, and became the first woman president of the Espanola Chamber of Commerce. Dr. Ziegler carried on a busy medical practice as general surgeon and ph...
Ladies of the Canyons
Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a...
Modern Medicine in New Mexico
Sixty years ago, modern medicine finally made its way to New Mexico. As World War II wound down, the state was a quaint backwater filled with aging quacks, Grade C medical graduates, and a vest-pocket professional organization. A group of young-gun doctors and an ex-Marine from Oklahoma changed all that. The state boomed with postwar specialists and patients seeking the sun, and the New Mexico Medical Society (NMMS) quarterbacked the sea changes in state health care. At any number of tipping points--physician shortages, malpractice nightmares, and the crisis of managed care--the state Society played a pivotal role. Based upon archival research and extended interviews with more than fifty past presidents of the NMMS, this volume issued in 2010 describes how the New Mexico Chapter of the American Academy of Family Physicians became a national leader on medical-legal matters, clinical prevention, and continuing education. Rich with anecdotal detail, this work uses the careers of physician-leaders as a prism to present the evolution of state medicine from World War II into the new millennium.
A Critical Cinema 3
This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
Doing Women's History in Public
A complete guide to interpreting women’s history. Women’s history is everywhere, not only in historic house museums named for women but also in homes named for famous men, museums of every conceivable kind, forts and battlefields, even ships, mines, and in buckets. Women’s history while present at every museum and historic site remains less fully interpreted in spite of decades of vibrant and expansive scholarship. Doing Women’s History in Public: A Handbook for Interpretation at Museums and Historic Sites connects that scholarship with the tangible resources and the sensuality that form museums and historic sites-- the objects, architecture and landscapes-- in ways that encourage vi...
Ghost Ranch
For more than a century, Ghost Ranch has attracted people of enormous energy and creativity to the high desert of northern New Mexico. Occupying twenty-two thousand acres of the Piedra Lumbre basin, this fabled place was the love of artist Georgia O’Keeffe’s life, and her depictions of the landscape catapulted Ghost Ranch to international recognition. Building on the history of the Abiquiu region that she told in Valley of Shining Stone, Ghost Ranch historian Lesley Poling-Kempes now unfolds the story of this celebrated retreat. She traces its transformation from el Rancho de los Brujos, a hideout for legendary outlaws, to a renowned cultural mecca and one of the Southwest’s premier co...
Finding the Way to 'Long Day's Journey Into Night'
Eugene O’Neill wrote his most enduring and important plays after he won international acclaim as the first and only American playwright to receive the Nobel Prize in Literature in 1936. In the midst of the Great Depression, with his health failing and spirits sunk, he and his third wife, former actress Carlotta Monterey, moved to California to escape the materialism and commercialism of a declining “West,” and they built a new home called Tao House. A reasonably good translation of tao is “the way,” and in this house, which was largely the creation of Carlotta, he found the way to his most famous play, Long Day’s Journey Into Night. As an unusually explicit autobiographical drama...
