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London, 1850 Isabelle Rackham knows she will not marry for love. Though arranged marriages have fallen out of fashion, hers has been settled for some time to combine the upper-middle-class wealth of her father's coal mines with Alexander Osgood's prospering Northern country textile mills. Though not a man prone to romantic gestures, Alexander is well-known as an eligible bachelor. His good looks have turned more than one head, so Isabelle is content to think of herself as Alexander's wife. However, her marriage is not what she expected. Northern England is nothing like her home farther west in the lake country. Cold, dreary, and dark, the soot from the textile mills creates a gray hue that s...
"This ethnography introduces students to the rapidly expanding and largely overlooked migrant and refugee crisis at Europe's southernmost borders in North Africa, examining how the physical and symbolic ritual of burning shapes the lives of hundreds of thousands of sub-Saharan African migrants, refugees, and asylum-seekers"--
Copyright law is commonly described as carrying out a balancing act between the interests of authors or owners and those of the public. While much academic work, both historical and contemporary, has been done on the authorship side of the equation, this book examines the notion of public interest, and the way that concepts of public interest and the rhetoric surrounding it have been involved in shaping the law of copyright. While many histories of copyright focus on the eighteenth century, this book's main concern is with the period after 1774. The nineteenth century was the period during which the boundaries of copyright, as we know it today, were drawn and ideas of “public interest” w...
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embracing the organization of the county, its division into townships, sketches of local interest gleaned from the . of the Revolution and the War of 1812, who were Residing in the County, also A Roster of Ten Thousand of the Early Settlers from 1803 to 1840