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For centuries, women have organized, supervised, and labored in the households they ran, but only during the last hundred years or so did they begin to have a say in how homes and furnishings were designed. Now, in this richly illustrated survey of design and design movements from the 1860s to the 1980s, women gain their rightful place in the history of design. Isabelle Anscombe illuminates the contributions of women to the Arts and Crafts Movement in Britain, the Glasgow School of Art, and the Bauhaus school, and discusses the great interior decorators of the 1920s and 1930s. Drawing on original interviews and on social and art history, Anscombe shows how the textiles, tableware, and furniture created by designers such as Vanessa Bell, Sonia Delaunay, and Elsie de Wolfe revolutionized ideas about the form and function of the home. Thoroughly researched and written with both wit and authority, "A Woman's Touch" is an important addition to the literature of design. -- From publisher's description
A richly illustrated survey, examining the movement in Europe and North America.
The literary output of the Bloomsbury Group has been thoroughly scrutinized, but one major aspect of their activity has been neglected; their designs for the decorative arts. In this story the heroine is Vanessa Bell, whose house, Charleston, became a monument to the Omega Workshops. Started in London in 1913 by the art critic Roger Fry; the Omega workshops aimed to produce applied arts in the spirit of the Post-Impressionists. They were not a commercial success,closing in 1919, but the combined talents of Vanessa Bell, Henri Gaudier-Brzeska, Mark Gertler, Frederick Etchells, McKnight Kauffer and Wyndham Lewis have a fresh and intense appeal eighty years later.
Celebrates eight of the classic interior decorative styles, from the cluttered to the minimal and the ancestral to the mediterranean, each one introduced by a practitioner of that style, and includes hundreds of colour photographs taken in the homes of the rich and the famous and previously included in the pages of Interiors magazine.
A cult classic in a new edition. This book is about a single, serpentine fact: late in 1976 a record called 'Anarchy in the UK' was issued in London, and this event launched a transformation of pop music all over the world. The song distilled, in crudely poetic form, a critique of modern society once set out by a small group of Paris intellectuals. In Lipstick Traces, Greil Marcus's classic book on punk, Dadaism, the situationists, medieval heretics and the Knights of the Round Table (amongst others), the greatest cultural critic of our times unravels the secret history of the twentieth century.
Presents chemistry as a science in search of an identity, or rather as a science whose identity has changed in response to its relation to society and other disciplines. This book discusses the conceptual, experimental, and technological challenges with wh
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Published to accompany the exhibition held at the Geffrye Museum, London, 18 July 2000 - 21 January 2001.