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Indian Metaphysics in Lawrence Durrell’s Novels
In this study of the influence of Indian metaphysics on Lawrence Durrell’s novels, Professor Nambiar offers a unique milestone in the history of Durrellian criticism. Embracing Durrell’s search for universal awareness through Western and Indian metaphysics, the book presents a new metaphysical reading of the writer’s prose that has remained untapped until now. Exploring Durrell’s quest for a new reality through fiction, Nambiar focuses in-depth on The Avignon Quintet and questions the complex symbolic patterns that shape the polymorphous characters’ peregrinations through space and time. With much subtlety, modesty and wit, Indian Metaphysics in Lawrence Durrell’s Novels opens up the mysterious doors of “the kingdom of the imagination”.
Ecology and Literatures in English
In all latitudes, writers hold out a mirror, leading the reader to awareness by telling real or imaginary stories about people of good will who try to save what can be saved, and about animals showing humans the way to follow. Such tales argue that, in spite of all destructions and tragedies, if we are just aware of, and connected to, the real world around us, to the blade of grass at our feet and the star above our heads, there is hope in a reconciliation with the Earth. This may start with the emergence, or, rather, the return, of a nonverbal language, restoring the connection between human beings and the nonhuman world, through a form of communication beyond verbalization. Through a journ...
Autofiction
This book examines themes of exile, mobility, and identity in contemporary autofictional narratives written in French by women writers from across the francophone world. It reads exile in light of both gender and literary genre, arguing that autofiction gives women the space to reconfigure their exile on their own terms.
Durrell and the City
Durrell and the City commemorates the fiftieth anniversary of the publication of The Alexandria Quartet with a collection of fourteen new essays by a group of international scholars and critics. The collection provides a critical consideration of Durrell's urban landscapes, from the London of his early novels to Avignon during World War II in his last great series, while focusing on the place that made him famous--the city of Alexandria--in order to provide a reassessment of his career and achievement.
Shifting Horizons and Crossing Borders
The book captures key moments in the critical and creative dialogue of literary scholars, poets and artists with poet, author, documentary film-maker and literary scholar Stephanos Stephanides. Employing a polyphonic and cross-disciplinary perspective, the twenty-three essays and creative pieces flow together in cycles of continuities and discontinuities, emulating Stephanides’s fluid and transgressive universe. Drawing on the broad topic of borders and crossings, Shifting Horizons and Crossing Borders offers critical material on themes such as space and place, dislocation and migration, journeys and bridges, movement and fluidity, the aesthetics and the politics of the sea, time, nostalgia and (trans)cultural memory, identity and poetics, translation and translatability, home and homecoming. An invaluable reference for anyone interested in the crosscurrents between the poetic, the cultural and the political.
Personal Modernisms
Gifford's invigorating work of metacriticism and literary history recovers the significance of the "lost generation" of writers of the 1930s and 1940s. He examines how the Personalism of anarcho-anti-authoritarian contemporaries such as Alex Comfort, Robert Duncan, Lawrence Durrell, J.F. Hendry, Henry Miller, Elizabeth Smart, Dylan Thomas, and Henry Treece forges a missing link between Late Modernist and postmodernist literature. He concludes by applying his recontextualization to four familiar texts by Miller, Durrell, Smart, and Duncan, and encourages readers to re-engage the lost generation using this new critical lens. Scholars and students of literary modernism, twentieth-century Canadian literature, and anarchism will find a productive vision of this neglected period within Personal Modernisms.
Critically Mediterranean
Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis. In this context, Critically Mediterranean asks how the theories and methodologies of Mediterranean studies may be brought to bear upon the modern and contemporary periods. Contributors explore how the Mediterranean informs philosophy, phenomenology, the poetics of time and space, and literary theory. Ranging from some of the earliest twentieth-century material on the Mediterranean to Edmond Amran El Maleh, Christoforos Savva, Orhan Pamuk, and Etel Adnan, the essays ask how modern and contemporary Mediterraneans may be deployed in political, cultural, artistic, and literary practice. The critical Mediterranean that emerges is plural and performative—a medium through which subjects may negotiate imagined relations with the world around them. Vibrant and deeply interdisciplinary, Critically Mediterranean offers timely interventions for a sea in crisis.
From the Elephant's Back
Thirty-eight rare, out-of-print or previously unpublished essays and letters by Lawrence Durrell with scholarly introduction.
Time, History and Cultural Spaces
This book brings together critical essays on time, history and narrativity and the explorations of these concepts in philosophy, music, art and literature. The volume provides a comprehensive introduction to narrative theories as well as philosophical discourses on time, memory and the self. Drawing insights from western and eastern philosophy, it discusses themes such as subjectivity and identity in historical narratives, theorization of time in cinema and other arts and the relationship between the understandings of existence, consciousness and concepts such as Kala, Aion, and yugas. The book also looks at the narrativization of history across cultures by exploring modern fiction from China and India, murals of martyrs in Northern Ireland, music and films set against the canvas of the Second World War and the Holocaust, as well as diasporic cultural histories. This book will be an interesting read for scholars and researchers of comparative literature, history, philosophy of history, cultural studies and post-colonial studies.
