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Durrell and the City commemorates the fiftieth anniversary of the publication of The Alexandria Quartet with a collection of fourteen new essays by a group of international scholars and critics. The collection provides a critical consideration of Durrell's urban landscapes, from the London of his early novels to Avignon during World War II in his last great series, while focusing on the place that made him famous--the city of Alexandria--in order to provide a reassessment of his career and achievement.
This collection of essays on Graham Swift’s fiction brings together the perspectives of renowned Swift scholars from around the world. Authors look at the swift’s oeuvre from different interpretative angles, combining a variety of critical and theoretical approaches. This book covers all of Swift’s fiction, including his novels and short stories; special emphasis, however, is on his most recent books. By approaching Swift’s work from a number of perspectives, the volume offers a synthetic overview of his literary output. In particular, it searches for thematic and formal continuities between his early and more recent fiction, and attempts to emphasize its new developments and interests.
The essays in On Miracle Ground represent a collaborative attempt to assess the place of Lawrence Durrell in twentieth-century fiction.
Preliminary Material --Introduction: The Swarming Streets: Twentieth-Century Literary Representations of London /Lawrence Phillips --A Risky Business: Going Out in the Fiction of Virginia Woolf and Dorothy Richardson /Nadine Attewell --"A Filmless London": Flânerie and Urban Culture in Dorothy Richardson's Articles for Close Up --Virgina Woolf's London and the Archaeology of Character /Vicki Tromanhauser --Treasure Seekers in the City: London in the Novels of E. Nesbit /Jenny Bavidge --"Thou art full of Stirs, a Tumultuous City": Storm Jameson and London in the 1920s /Chiara Briganti --"A Network of Inscrutable Canyons": Wartime London's Sensory Landscapes /Sara Wasson --Tales from the Cryp...
Lawrence Durrell excelled in a great variety of genres: poetry, drama, travel books, humorous writings, translations, critical essays, philosophical essays, character sketches, and, above all, genre- and culture-transforming experimental novels. In keeping with Durrell's multifaceted career and the centrality of his experiments, the essays in this collection use a variety of literary approaches to the diversity of Durrell's contributions to literature, illuminating four major dimensions of Durrell's writing.
Lawrence Durrell’s The Alexandria Quartet is regarded as the central work in his fiction. It has provoked critical commentary ever since the appearance of its individual volumes – Justine (1957), Balthazar (1958), Mountolive and Clea (1959) and the publication in a one-volume edition in 1962. Scores of Master’s and PhD dissertations have been written since the 1960s on this most compelling and provocative novel. Today, The Alexandria Quartet stimulates critical discussion in works addressing the city, Durrell’s representation of Alexandria, the theory of relativity, the role of memory, the recurring feature of the doppelgänger and the presence of the Gothic uncanny; his frequent references to D.H. Lawrence; his treatment of women characters; his interest in Gnosticism; and his own description of the Quartet as “a strange mixture of sex and the secret service”. This volume of essays addresses all these themes, and brings together the mature work of four scholars on this central work of Durrell’s fiction, together with two essays on its sequels, Tunc-Nunquam (1968-70) and The Avignon Quintet (1974-85).
Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis. In this context, Critically Mediterranean asks how the theories and methodologies of Mediterranean studies may be brought to bear upon the modern and contemporary periods. Contributors explore how the Mediterranean informs philosophy, phenomenology, the poetics of time and space, and literary theory. Ranging from some of the earliest twentieth-century material on the Mediterranean to Edmond Amran El Maleh, Christoforos Savva, Orhan Pamuk, and Etel Adnan, the essays ask how modern and contemporary Mediterraneans may be deployed in political, cultural, artistic, and literary practice. The critical Mediterranean that emerges is plural and performative—a medium through which subjects may negotiate imagined relations with the world around them. Vibrant and deeply interdisciplinary, Critically Mediterranean offers timely interventions for a sea in crisis.
A Companion to the British and Irish Novel 1945-2000 serves as an extended introduction and reference guide to the British and Irish novel between the close of World War II and the turn of the millennium. Covers a wide range of authors from Samuel Beckett to Salman Rushdie Provides readings of key novels, including Graham Greene’s ‘Heart of the Matter’, Jean Rhys’s ‘Wide Sargasso Sea’ and Kazuo Ishiguro’s ‘The Remains of the Day’ Considers particular subgenres, such as the feminist novel and the postcolonial novel Discusses overarching cultural, political and literary trends, such as screen adaptations and the literary prize phenomenon Gives readers a sense of the richness and diversity of the novel during this period and of the vitality with which it continues to be discussed
Immigrant Fictions is a groundbreaking collection that brings together studies of world literature, book history, narrative theory, and the contemporary novel to challenge methods of critical reading based on national models of literary culture. Contributors suggest that contemporary novels by immigrant writers need to be read across several geographies of production, circulation, and translation. Analyzing work by David Peace, George Lamming, Caryl Phillips, Iva Pekarkova, Yan Geling, Theresa Hak Kyung Cha, Anchee Min, and Monica Ali, these essays take up a range of critical topics, including the transnational book and the migrant writer, the comparative reception history of postcolonial fiction, transnational criticism and Asian-American literature in the U. S., mobility and feminism in translation, linguistic mediation and immigrating fictions, migration and the politics of narrative form.
Features English literature and Scottish literature.