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Performing Image
An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbis...
Oh, Wilderness
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Performing Image
An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbis...
Compilation of Translations
The publication gives an overview of the 2012 curatorial year at MINI/Goethe-Institut Curatorial Residencies Ludlow 38. Curatorial resident Clara Meister's program focused on different concepts of translation, bringing together an interdisciplinary exhibition program based on the assumption that artistic ideas can be translated into disparate forms and therefore can take varying modes of expression. Four solo exhibitions with Natalie Czech, Bo Christian Larsson, Saâdane Afif, and Maria Loboda, as well as a collaborative project with A Dog Republic (Jean-Baptiste Decavèle, Nico Dockx, Yona Friedman, Helena Sidiropoulos, Krist Torfs) were accompanied by small poster publications, which constitute the individual chapters of the book. Writers, artists, and thinkers were invited to contribute playful essays that were either a source of inspiration for the exhibition or linked to its ideas. Contributors Andrew Berardini, Jean-Baptiste Decavèle, Isobel Harbison, Lucy Ives, Graham Parker, Barry Schwabsky, Helena Sidiropoulos, Antje Stahl, Paul Stephens; interviews with Bo Christian Larsson, some of the members of A Dog Republic, Maria Loboda
Michael Clark
Explore the groundbreaking performances and creative collaborations of iconic Scottish dancer and choreographer Michael Clark. Hailed as "British dance's true iconoclast," Michael Clark is a defining cultural figure in the contemporary dance world. Since emerging in the early 1980s as a prodigy at London's Royal Ballet School, Clark has remained at the forefront of innovation in dance, working in close collaboration with a broad range of pioneering artists such as Sarah Lucas, Leigh Bowery, Charles Atlas, Cerith Wyn Evans, Peter Doig, Elizabeth Peyton, Wolfgang Tillmans and musicians such as Mark E. Smith, Wire, Scritti Politti, and Relaxed Muscle. As a young choreographer, Clark brought tog...
Old Food
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Performance in Contemporary Art
Unpacking the history of performance art and celebrating the work of contemporary practitioners--a must-read for both art lovers and students alike Stunningly beautiful, deeply puzzling, powerfully moving, or intensely unsettling--performance art can evoke a wide variety of responses. In this important survey, Catherine Wood, one of the world's leading curators and writers in this field, provides the broadest and most up-to-date insight into the subject yet published. Wood proposes performance not as a genre separate from object-making but as a medium that has profoundly influenced the shape of contemporary art. From the spectacular forms of intimacy performed by Marina Abramović to the pai...
The Mirror of the Artist
In this series accomplished authors accurately cover a range of subjects using up-to-date methodologies and impressive visual formats. This is the first book to present a broad overview of the art of the Renaissance from Northern Europe within its historical context. KEY TOPICS: It includes well known works and artists as well as a diverse selection of novel and intriguing images. It discusses issues and ideas of interest today, such as the status of women, elite vs. popular inspiration, and art as an instrument of propaganda, among others and provides comprehensive coverage of the Netherlands, Germany, and France in the 15th and 16th centuries.
The Selfie, Temporality, and Contemporary Photography
This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier. The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.
