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An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS. From Guy Debord in the early 1950s to Richard Long, Janet Cardiff, and Esther Polak more recently, contemporary artists have returned again and again to the walking motif. Today, the convergence of global networks, online databases, and new tools for mobile mapping coincides with a resurgence of interest in walking as an art form. In Walking and Mapping, Karen O'Rourke explores a series of walking/mapping projects by contemporary artists. She offers close readings of these projects—many of which she was able to experience firsthand—and situates them in relation to landmark works from the past half-century. Together, they form a new entity, a dynamic whole greater than the sum of its parts. By alternating close study of selected projects with a broader view of their place in a bigger picture, Walking and Mapping itself maps a complex phenomenon.
Liberal democracies have always accepted the need to go to war, despite the fact that war can undermine liberal values. Wars may be won or lost, not only on the battlefield, but in the perceptions of the publics who pay for them. Presentation is therefore increasingly important. Starting with the First World War, the first major war fought by liberal democracies after the emergence on mass media, Liberal Democracies at War explores the relationship between representations of liberal violence and the ways in which the liberal state understands 'rights' in war. Experts in the field explore crucial questions such as: · How have the violences of war perpetrated in their names been communicated to publics of liberal democracies? · How have representations of conflict changed over time? · How far have the victims of liberal wars been able to insert their stories into the record?
This pioneering book explores the connections between art and artistic processes and entrepreneurship. The authors expertly identify several areas and issues where research on art and artistic processes can inform and develop the traditional field of entrepreneurship research.
Qu’est-ce qu’un document d’archives dans le Moyen-Orient contemporain ? Comment le façonner et comment le rendre efficace ? Quels en sont les enjeux de mémoire, de pouvoir, mais aussi de vérité, qui en modèlent les contours ? Des archives orales de la nakba, la « catastrophe » palestinienne, accumulées pour pallier l’absence d’archives « classiques » ; des photographes libanais lancés dans un projet d’archivage de la photographie ; des bureaucrates ottomans essayant d’archiver l’eau ; mais aussi des caisses d’archives de l’État libanais qui disparaissent puis réapparaissent ; un flamboyant bâtiment d’Archives nationales sans archives, ou presque, dans le G...
Le projet du Grand Tour, initié par le Musée Nicéphore Niépce, repose sur la volonté de restituer à la Syrie, au Liban et à la Palestine, pays qui évoquent aujourd'hui plutôt la tragédie que l'exotisme, des images de pays de voyage. Ce livre présente les photographies et raconte l'histoire de ce Grand Tour, le voyage romantique par excellence, de sa genèse et de ses implications.
Too often, even today, when they are implementing a project, decision-makers or groups in position of power do not believe it is necessary to seek collaboration from the members of a community; and yet, they are the ones who will have to live with the impacts of the project. As a result, after a few information sessions, the community is faced with a done deal, and has to live with decisions that have been made by others, without having the chance to give its opinion. The Little Guidebook on the Extensive Consultation; Creation and Cultural Transmission by and with the Communities, native and non-native, aims to help reversing the trend by proposing cultural projects' models arising from a r...
Ce livre présente des exemples d'oeuvres et d'expositions illustrant la position du photojournalisme entre sa fonction journalistique et sa valeur esthétique.