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Landscapes of Memory and Experience
Introduction - Landscape as Perspective. Chapter 1 - The Pommemorative Anatomy of a Colonial Park. Chapter 2 - A New Monument in a New Land. Chapter 3 - Carlo Scarpa: Built Memories. Chapter 4 - The Rational Point of View: Viollet-le-Duc and the Camera Lucida. Chapter 5 - Cezanne's Party. Chapter 6 - Subject to Circumstance, The Landscape of the French Lighthouse System. Chapter 7 - The Body in the Garden. Chapter 8 - Self, Scene and Action: The Final Chapter of Yuan Ye. Chapter 9 - The House of Light and Entropy: Inhabiting the American Desert. Chapter 10 - Landscape to Inscape: Topography as Ecclesiological Vision. Chapter 11 - Fluid Precision: Giacomo Della Porta and the Acqua Vergine fountains of Rome. Chapter 12 - New Projects for the City of Munster. Chapter 13 - The Villa d'Este Storyboard. Chapter 14 - The Splendid Effects of Architecture, and its Power to Affect the Mind.
Making Waves
“Beyond brandishing Cinemalaya’s accomplishments, this book is also a tribute to the Filipino indie filmmaker who is at the core of our raison d’être. The success of Cinemalaya is undoubtedly due to the 165 filmmakers who for the past ten editions of the competition and festival produced quality films that have broken the boundaries of filmmaking in the country.” — Nestor O. Jardin, President Cinemalaya Foundation, Inc.
Memorie sotterranee
Il primo volume della collana "Il teatro della memoria" è dedicato a due esperienze preziose per la memoria del teatro di ricerca italiano: la Borsa di Arlecchino di Genova e il Beat 72 di Roma, teatri sotterranei nel senso reale dell'aggettivo e luoghi di una memoria del sotterraneo per indicare, in un senso metaforico, pratiche artistiche lontane dai percorsi più consueti e ufficiali. Nel volume storia e memoria partecipano a un comune racconto, in cui la stratificazione dei vissuti e la polifonia delle voci si intrecciano con la molteplicità dei dati e danno conto della complessità del processo con cui la narrazione storica è elaborata: alla narrazione cronologica e dettagliata della...
Atlas of Emotion
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
No Country
In November 1989, an Indian couple are discovered murdered in a small town in upstate New York. They lie together as though just disengaged from a long embrace. Yet their murder has been two centuries in the making. County Sligo, Ireland, 1843. Seventeen-year-old Brendan McCarthaigh and his best friend Padraig have everything ahead of them. Quiet Brendan is in love with books and headstrong, spirited Padraig is madly in love with black-haired Brigid. But when the sanctimonious Father Conlon discovers Padraig and Brigid's clandestine affair, he sets in motion a chain of unforeseeable, irrevocable events that will propel one to North America and the other to Bengal. Weaving together private histories and real events, and taking us on a journey across the globe - Kalyan Ray has crafted a sweeping, epic, multigenerational saga spanning two centuries. A rich, compelling tale of home and exile, identity and hybridity, it is also a story of oppression, friendship and compassion, and the few intimate degrees of separation that lie between love and murder.
Beyond the Subtitle
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.
De/Constituting Wholes
How can the power of wholes be resisted without essentializing their parts? Drawing on different archives and methodologies, including aesthetics, history, biology, affect, race, and queer, the interventions in this volume explore different ways of troubling the consistency and stability of wholes, breaking up their closure and making them more dynamic. Doing so without necessarily presupposing or producing parts, an outside, or a teleological development, they indicate the critical potential of partiality without parts.
Renaissance Go-Betweens
The volume analyses some of the travelling and bridge-building activities that went on in Renaissance Europe, mainly but not exclusively across the Channel, true to Montaigne's epoch-making program of describing 'the passage'. Its emphasis on Anglo-Continental relations ensures a firm basis in English literature, but its particular appeal lies in its European point of view, and in the perspectives it opens up into other areas of early modern culture, such as pictorial art, philosophy, and economics. The multiple implications of the go-between concept make for structured diversity. The chapters of this book are arranged in three stages. Part 1 ('Mediators') focuses on influential go-betweens,...
The Chimera Principle
Available in English for the first time, anthropologist Carlo Severi’s The Chimera Principle breaks new theoretical ground for the study of ritual, iconographic technologies, and oral traditions among non-literate peoples. Setting himself against a tradition that has long seen the memory of people “without writing”—which relies on such ephemeral records as ornaments, body painting, and masks—as fundamentally disordered or doomed to failure, he argues strenuously that ritual actions in these societies pragmatically produce religious meaning and that they demonstrate what he calls a “chimeric” imagination. Deploying philosophical and ethnographic theory, Severi unfolds new approaches to research in the anthropology of ritual and memory, ultimately building a new theory of imagination and an original anthropology of thought. This English-language edition, beautifully translated by Janet Lloyd and complete with a foreword by David Graeber, will spark widespread debate and be heralded as an instant classic for anthropologists, historians, and philosophers.
