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This book presents an analysis of the cultural memory of women’s participation in the Yugoslav People’s Liberation Struggle (1941–1945), with a particular focus on the figure of the female soldier. It examines how this subject was treated in socialist Yugoslavia’s popular printed press and how it contributed to the creation of the figure of the Yugoslav New Woman. By examining four popular magazines, this volume aims to reveal the variety of understandings of women’s unprecedented level of wartime engagement and its relevance in creating the conditions for the emergence and development of the New Woman in socialist Yugoslavia. The book delves into the roles and societal impact of these women as portrayed in the printed press from the end of World War II until the watershed moment of socialist Yugoslavia’s history: the death of Josip Broz Tito in 1980. This book is aimed at students, scholars, and researchers interested in women's and gender history in state socialist countries. Its examination of print magazines, an understudied aspect of Yugoslav media, will also be of interest to media and communication scholars.
This book explores the emergence of Yugoslav globalism and how it was influenced by the early Cold War, the changes once Yugoslavia established itself as a nonaligned leader, and what the decline of Yugoslav globalism reveals about the waning Cold War and the history of internationalist diplomacy. Although Yugoslavia was correctly defined as a regional power, it is not true that Tito’s influence was confined to the Balkans alone. Even before the 1948 split with Stalin, political elites and intellectuals imagined socialist Yugoslavia as a model for international comity and development. Subsequently, due to dramatic changes in the climate of international diplomacy, Yugoslav globalist outrea...
A compendium of one hundred sources, preceded by a short author’s bio and an introduction, this volume offers an English language selection of the most representative texts on feminism and women’s rights from East Central Europe between the end of the Second World War and the early 1990s. While communist era is the primary focus, the interwar years and the post-1989 transition period also receive attention. All texts are new translations from the original. The book is organised around themes instead of countries; the similarities and differences between nations are nevertheless pointed out. The editors consider women not only in their local context, but also in conjunction with other sys...
This book analyzes the process of national identity formation and identification of children born into formal and informal Polish-German relationships in Poland and Germany, and how that process is impacted by their upbringing at the intersection of two cultures. The sociological-historical approach explores a wide range of processes in interethnic couples related to the case at hand, such as migration, acculturation, and assimilation, as well as integration and increased participation in the structures of the host country, ties with the country of origin, generational changes and decreasing knowledge of the native tongue, and developments affecting mixed partnerships and their children. Tak...
Communism in twentieth-century Europe is predominantly narrated as a totalitarian movement and/or regime. This book aims to go beyond this narrative and provide an alternative framework to describe the communist past. This reframing is possible thanks to the concepts of generation and gender, which are used in the book as analytical categories in an intersectional overlap. The publication covers twentieth-century Poland, Czechoslovakia/Czech Republic, the Soviet Union/Russia, former Yugoslavia, Turkish communities in West Germany, Italy, and Cuba (as a comparative point of reference). It provides a theoretical frame and overview chapters on several important gender and generation narratives ...
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In TV Socialism, Anikó Imre provides an innovative history of television in socialist Europe during and after the Cold War. Rather than uniform propaganda programming, Imre finds rich evidence of hybrid aesthetic and economic practices, including frequent exchanges within the region and with Western media, a steady production of varied genre entertainment, elements of European public service broadcasting, and transcultural, multi-lingual reception practices. These televisual practices challenge conventional understandings of culture under socialism, divisions between East and West, and the divide between socialism and postsocialism. Taking a broad regional perspective encompassing Eastern Europe and the Soviet Union, Imre foregrounds continuities between socialist television and the region’s shared imperial histories, including the programming trends, distribution patterns, and reception practices that extended into postsocialism. Television, she argues, is key to understanding European socialist cultures and to making sense of developments after the end of the Cold War and the enduring global legacy of socialism.
A co-publication of the World Bank, International Finance Corporation and Oxford University Press