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Seas, Cities and Dreams
The story of Ivan Aivazovksy is peerless in the history of art. A poor boy from an obscure Black Sea port, he ended his life as the best-known Russian painter ever. His exhibitions all over the world drew enormous crowds and earned him admiration from the likes of Horace Vernet and William Turner. Today, Aivazovsky's work passes constantly through salesrooms and is eagerly sought after by collectors. Published on the hundredth anniversary of his death, this is the first book on the artist in English. Over 200 of his works are reproduced in color, most for the first time. The lively text offers insights into the working methods of a man who raised European maritime painting to new heights.
Alexander Pushkin
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Aivazovsky
The seascapes of Ivan Aivazovsky (1817-1900) made his name in Russia, his native country where he was a painter of the court of Nicholas I, yet his fame barely extended beyond these borders. Master of the Sublime, he made the ocean the principal subject of his work. Sometimes wild and raging, sometimes calm and peaceful, the life of the ocean is composed of as many allegories as the human condition. Like Turner, whom he knew and whose art he admired, he never painted outside in nature, nor did he make preliminary sketches; his paintings were the fruit of his exceptional memory. With more than 6,000 canvasses, Aivazovsky was one of the most prolific painters of his time.
Waters of Life
Waters of Life recaptures the impressions of water in the works held at the Russian State Museum of Russian Painters, from the 18th century onwards. Amongst the paintings are works by Sylvester Shechedrin, Ivan Aivazovsky, Polenov, Arkhipov and Repin. Paintings in Water of Life are not only a rare collection of Russian painters but they will also fascinate all the art lovers.
Russian Painting
From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.
A History of Russian Painting
This book provides the first comprehensive account of Russian and Soviet painting. From the early icons down to the present day, the author traces its fascinating and often turbulent history against a background of major historical events.
Turkey and the Armenian Ghost
The first genocide of the twentieth century remains unrecognized and unpunished. Turkey continues to deny the slaughter of over a million Ottoman Armenians in 1915 and the following years. What sets the Armenian genocide apart from other mass atrocities is that the country responsible has never officially acknowledged its actions, and no individual has ever been brought to justice. In Turkey and the Armenian Ghost, a translation of the award-winning La Turquie et le fantôme arménien, Laure Marchand and Guillaume Perrier visit historic sites and interview politicians, elderly survivors, descendants, authors, and activists in a quest for the hidden truth. Taking the reader into remote mounta...
