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Ivars Peterson has come up with another itinerary of Mathland - where the habitat is mysterious and the inhabitants fascinating. He explores uncharted islands, introducing strange vibrations in the shadows of chaos, new twists in knot physics, and the straight side of circles. The tour is enjoyable to experienced travellers and first-time tourists alike. Peterson, a journalist with Science News, makes the arcane intelligible by interpreting mathematics into engaging prose.
Collected articles on mathematics from the popular Math treks column; extra web support available.
There s a new amusement park in town. Come on in and find out allthe exciting ways you can have fun with math in everyday life.Wander through the fractal forest, take a ride on the M?obius-striproller coaster, and get dizzy learning about how math makes theTilt-A-Whirl possible. The more activities you try, the more you lllearn how cool it can be to see the world through the eyes of amathematician. Once you ve sampled some of the interesting and unique projects inMath Trek, from untangling unknots to winning games with weird diceto figuring out secret codes, you ll see that every trip to theMathZone is an exciting adventure!
In the first edition of The Mathematical Tourist, renowned science journalist Ivars Peterson took readers on an unforgettable tour through the sometimes bizarre, but always fascinating, landscape of modern mathematics. Now the journey continues in a new, updated edition that includes all the latest information on mathematical proofs, fractals, prime numbers, and chaos, as well as new material on * the relationship between mathematical knots and DNA * how computers based on quantum logic can significantly speed up the factoring of large composite numbers * the relationship between four-dimensional geometry and physical theories of the nature of matter * the application of cellular automata models to social questions and the peregrinations of virtual ants * a novel mathematical model of quasicrystals based on decagon-shaped tiles Blazing a trail through rows of austere symbols and dense lines of formulae, Peterson explores the central ideas behind the work of professional mathematicians-- how and where their pieces of the mathematical puzzle fit in, the sources of their ideas, their fountains of inspiration, and the images that carry them from one discovery to another.
A visual journey to the intersection of math and imagination, guided by an award-winning author Mathematics is right brain work, art left brain, right? Not so. This intriguing book shows how intertwined the disciplines are. Portraying the work of many contemporary artists in media from metals to glass to snow, Fragments of Infinity draws us into the mysteries of one-sided surfaces, four-dimensional spaces, self-similar structures, and other bizarre or seemingly impossible features of modern mathematics as they are given visible expression. Featuring more than 250 beautiful illustrations and photographs of artworks ranging from sculptures both massive and minute to elaborate geometric tapestries and mosaics of startling complexity, this is an enthralling exploration of abstract shapes, space, and time made tangible. Ivars Peterson (Washington, DC) is the mathematics writer and online editor of Science News and the author of The Jungles of Randomness (Wiley: 0-471-16449-6), as well as four previous trade books.
Astronomers, mathematicians, and physicists have barely got to grips with chaos, except as a 'problem' to be overcome. This book gives an excellent introduction to some of the issues and should be of interest to readers of all backgrounds. The Observatory Here is a book for all who thought that there was nothing new in Newtonian mechanics. New Scientist
Hidden rules and secret patterns lurk within apparently random events and chance encounters.
A revised, updated edition of Peterson's classic work. Presents the latest information on mathematical proofs, fractals, prime numbers, and chaos, as well as new material on such intriguing topics as the relationship between mathematical knots and DNA; the application of cellular automata models to social questions; and the significant increase in the speed of factoring large composite numbers by means of computers based on quantum logic.
In this insightful book, which is a revisionist math history as well as a revisionist art history, Tony Robbin, well known for his innovative computer visualizations of hyperspace, investigates different models of the fourth dimension and how these are applied in art and physics. Robbin explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Robbin breaks new ground with his original argument that Picasso used the projection model to invent cubism, and that Minkowski had four-dimensional projective geometry in mind when he structured special relativity...
This comprehensive, detailed reference provides readers with both a working knowledge of Mathematica in general and a detailed knowledge of the key aspects needed to create the fastest, shortest, and most elegant implementations possible. It gives users a deeper understanding of Mathematica by instructive implementations, explanations, and examples from a range of disciplines at varying levels of complexity. The three volumes -- Programming, Graphics, and Mathematics, total 3,000 pages and contain more than 15,000 Mathematica inputs, over 1,500 graphics, 4,000+ references, and more than 500 exercises. This first volume begins with the structure of Mathematica expressions, the syntax of Mathematica, its programming, graphic, numeric and symbolic capabilities. It then covers the hierarchical construction of objects out of symbolic expressions, the definition of functions, the recognition of patterns and their efficient application, program flows and program structuring, and the manipulation of lists. An indispensible resource for students, researchers and professionals in mathematics, the sciences, and engineering.