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In this book, Gino Zaccaria offers a philosophical meditation on the issue of art in light of its originary sense. He shows how this sense can be fully understood provided that our thinking, on the one hand, returns to the ancient Greek world where it must heed the voice and hints of the goddess Athena, and, on the other hand, listens to “artist-thinkers” close to our current epoch, such as Cézanne, van Gogh and Boccioni. Indeed, the path of this meditation has as its guide the well-known sentence by the painter from Aix-en-Provence, which reads: “Je vous dois la vérité en peinture, et je vous la dirai !”. What will finally appear in this way will not be an abstract or historical notion of art, but its enigma; that is to say, the promise of “another initiation” of art itself.
The ongoing publication of Heidegger's complete works has called into question the interpretive and translative practices that have historicized Heidegger's thinking through the adaptation of categories and mind-sets inherited from metaphysics. Ivo De Gennaro argues that the posthumous treatises in particular - many of which have yet to be translated into English - show that the "other onset of thinking" that Being and Time inaugurated and which those historicizing accounts have interpreted and translated away, has already taken place. This book, on the other hand, speaks solely from that other onset, that of being itself. While arguing the "one-pointedness" of Heidegger's entire path of thinking, De Gennaro draws mainly on the posthumous treatises to offer both a provisional exploration of, and an introduction to, a thinking whose sense and implications have barely begun to emerge. This challenging and original interpretation marks an important contribution to Heidegger scholarship.
The volume dedicates itself to the rather neglected field of political poetry and offers a broad perspective across the centuries from Plato until the post-war period. The first part describes the social function of poetry in Plato, his reception in Heidegger and in Ezra Pound’s poetry. A contribution on Milton complements this with a great poet`s reflection on central political questions. The second part, pre 20th century, is rounded off by two rulers from the edges of Europe or Asia who left their mark both on history and on the literary history of their country: the Georgian king Teimuraz I and the Persian ruler Shah Ismail. This theme is continued in the last contribution dedicated to an outstanding combination of political and poetic talent from recent history, Mao Zedong. Two other contributions refer to the epoch of WWI, Europe`s big cultural caesura, and they dedicate themselves to two eminently influential figures, Stefan George and Vladimir Mayakowsky.
The New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer.
This book is a scholarly monograph on Sigmund Freud's understanding of the basics of psychotherapy theory and practice from the perspective of phenomenology. Two leading phenomenologists, Edmund Husserl and Martin Heidegger, are chosen to make an appraisal of the strengths and weaknesses of Freud's interpretation of talking and relating with others. Heidegger is then compared to Husserl to produce a position that keeps a focus on intentionality yet accepts the understanding offered by hermeneutics. This work is relevant to psychotherapists, philosophers and philosophically-interested human scientists who value qualitative approaches to meaning.
An intimate foray into the invisible work that made it possible for pictures to circulate in print and online from the 1830s to the 2010s. Picture Research focuses on how pictures were saved, stored, and searched for in a time before scanners, servers, and search engines, and describes the dramatic difference it made when images became scannable, searchable, and distributable via the internet. While the camera, the darkroom, and the printed page are well-known sites of photographic production that have been replaced by cell phones, imaging software, and websites, the cultural intermediaries of mass-circulation photography—picture librarians and researchers, editors, and archivists—are le...
"Value" is arguably one of the key concepts of the globalized world. In this world, to be is to be or have a value, while all thinking and implementing has the form of valuing and evaluating. Thanks to their operative expediency, both the concept of value and thinking through values appear as sufficient and such as not to need any interrogation as to their provenance and implications. The essays of this volume, on the other hand, provide insights precisely in these aspects by presenting, on the one hand, classical philosophical sources on value, and, on the other, readings that show how the concept of value shapes our manner of thinking in pivotal issues and domains of economics, culture and knowledge.
Numerous volumes have been written on the philosophy of Martin Heidegger, and new translations of his writings appear on a regular basis. Up to now, however, no book has addressed the connections between Heidegger's thought and the hermeneutic methodology involved in translating his works - or any other text. Gathering essays by internationally recognized scholars, this volume examines the specific synergy that holds between Heidegger's thinking and the distinctive endeavor of translation. Heidegger, Translation, and the Task of Thinking: Essays in Honor of Parvis Emad offers scholars and students alike a rare journey into the insights and intricacies of one of the greatest philosophers of t...