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The Amistad Revolt
From journalism and lectures to drama, visual art, and the Spielberg film, this study ranges across the varied cultural reactions--in America and Sierra Leone--engendered by the 1839 Amistad slave ship revolt. Iyunolu Folayan Osagie is a native of Sierra Leone, from where the Amistad's cargo of slaves originated. She digs deeply into the Amistad story to show the historical and contemporary relevance of the incident and its subsequent trials. At the same time, she shows how the incident has contributed to the construction of national and cultural identity both in Africa and the African diasporo in America--though in intriguingly different ways. This pioneering work of comparative African and American cultural criticism shows how creative arts have both confirmed and fostered the significance of the Amistad revolt in contemporary racial discourse and in the collective memories of both countries.
The Amistad Revolt
From journalism and lectures to drama, visual art, and the Spielberg film, this study ranges across the varied cultural reactions--in America and Sierra Leone--engendered by the 1839 Amistad slave ship revolt. Iyunolu Folayan Osagie is a native of Sierra Leone, from where the Amistad's cargo of slaves originated. She digs deeply into the Amistad story to show the historical and contemporary relevance of the incident and its subsequent trials. At the same time, she shows how the incident has contributed to the construction of national and cultural identity both in Africa and the African diasporo in America--though in intriguingly different ways. This pioneering work of comparative African and American cultural criticism shows how creative arts have both confirmed and fostered the significance of the Amistad revolt in contemporary racial discourse and in the collective memories of both countries.
Legacies of Slavery
The proclamation by the United Nations General Assembly of the International Year to Commemorate the Struggle against Slavery and its Abolition during 2004 marked the culmination of recent efforts to re-engage with slavery’s past and create an intellectual, social, political and ethical climate conducive to a sustained and meaningful dialogue among cultures and civilisations. The past decade witnessed an upsurge of national and international exhibitions and conferences on the impact of slavery and the overwhelming and enduring cultural miscegenation and the demographic, socio-political and spiritual hybridisation that the phenomenon consciously or unconsciously initiated; the celebration o...
Outlaws of the Atlantic
This maritime history "from below" exposes the history-making power of common sailors, slaves, pirates, and other outlaws at sea in the era of the tall ship. In Outlaws of the Atlantic, award-winning historian Marcus Rediker turns maritime history upside down. He explores the dramatic world of maritime adventure, not from the perspective of admirals, merchants, and nation-states but from the viewpoint of commoners—sailors, slaves, indentured servants, pirates, and other outlaws from the late seventeenth to the early nineteenth century. Bringing together their seafaring experiences for the first time, Outlaws of the Atlantic is an unexpected and compelling peoples’ history of the “age o...
Rebellious Histories
From the early 1970s to the mid-1990s, playwrights, novelists, filmmakers, visual artists, and prison writers from Sierra Leone and the United States brought a new attention to the events of the 1839 Amistad shipboard slave rebellion. As a testament of the human will to freedom, the story of the Amistad mutineers also describes the wide arc of the international circuits of capital, commerce, juridical power, and diplomacy that structured and reproduced the Atlantic slave trade for nearly four centuries. In Rebellious Histories, Matthew J. Christensen argues that for creative artists struggling to comprehend—and survive—pernicious manifestations of globalization like Sierra Leone's civil ...
Black Crescent
Beginning with Latin America in the fifteenth century, this book, first published in 2005, is a social history of the experiences of African Muslims and their descendants throughout the Americas, including the Caribbean. The record under slavery is examined, as is the post-slavery period into the twentieth century. The experiences vary, arguably due to some extent to the Old World context. Muslim revolts in Brazil are also discussed, especially in 1835, by way of a nuanced analysis. The second part of the book looks at the emergence of Islam among the African-descended in the United States in the twentieth century, with successive chapters on Noble Drew Ali, Elijah Muhammad, and Malcolm X, with a view to explaining how orthodoxy arose from varied unorthodox roots.
From Every Mountainside
It has become popular to confine discussion of the American civil rights movement to the mid-twentieth-century South. From Every Mountainside contains essays that refuse to bracket the quest for civil rights in this manner, treating the subject as an enduring topic yet to be worked out in American politics and society. Individual essays point to the multiple directions the quest for civil rights has taken, into the North and West, and into policy areas left unresolved since the end of the 1960s, including immigrant and gay rights, health care for the uninsured, and the persistent denials of black voting rights and school equality. In exploring these issues, the volume's contributors shed light on distinctive regional dimensions of African American political and church life that bear in significant ways on both the mobilization of civil rights activism and the achievement of its goals.
Men, Mobs, and Law
In Men, Mobs, and Law, Rebecca N. Hill compares two seemingly unrelated types of leftist protest campaigns: those intended to defend labor organizers from prosecution and those seeking to memorialize lynching victims and stop the practice of lynching. Arguing that these forms of protest are related and have substantially influenced one another, Hill points out that both worked to build alliances through appeals to public opinion in the media, by defining the American state as a force of terror, and by creating a heroic identity for their movements. Each has played a major role in the history of radical politics in the United States. Hill illuminates that history by considering the narratives...
Sculpture at the Ends of Slavery
From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake.
Final Passages
Final Passages: The Intercolonial Slave Trade of British America, 1619-1807
