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“If you like, I’ll tell you the story of a boy who learned to fly.” Through an enchanted conversation with a young girl in a horse-drawn coach, Hans Christian Andersen shares his life’s struggles, dreams, and triumphs—whose threads can be found woven into his greatest stories. He tells her about the “fairy tale of his life” and how the son of a shoemaker became a celebrated writer. Heinz Janisch paints a sensitive portrait of Andersen and his literary work. Maja Kastelic has developed a well-suited illustration concept for this story that combines sumptuous art of a picture book with elements of a graphic novel. Thus, for the first time, H. C. Andersen’s life and work become a fascinating collage in picture book form. A moving, inventive story about the life of Hans Christian Andersen.
Among one of Andersen's very earliest stories, "Thumbeline" has been enchantingly illustrated by an internationally acclaimed artist who perfectly captures Thumbeline's charming world with all its dangers and delights. Full colour.
With a single kiss, a young maid saves her beloved from the Snow Queen’s icy imprisonment. When splinters from an evil troll’s magic mirror get into the heart and eye of Kai, he is tricked into accompanying the Snow Queen to her palace, and only the innocence and kindness of Gerda’s heart can save him. The inspiration for Frozen, Hans Christian’s Andersen’s “The Snow Queen” is one of the most beloved fairy tales in history. HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
The 2005 bicentenary of Hans Christian Andersen's birth is an opportunity to re-evaluate the achievement of one of the great figures of the fairy tale and storytelling tradition, a beloved writer famous for The Snow Queen and The Little Mermaid, The Ugly Duckling and The Red Shoesand many other now classic tales. Jack Zipes broadens our understanding of Andersen by exploring the relation of the Danish writer's work to the development of literature and of the fairy tale in particular. Based on thirty-five years of researching and writing on Andersen, this new book is a welcome reconsideration of Andersen's place and of his reception in English-speaking countries and on film.
**** BCCL3 cites the 4-volume classic (Macmillan, 1952) of which this is an abridgement. Strong, an attorney, reveals much about the practice of law in New York City. He was also a trustee of Columbia University, a vestryman of Trinity Episcopal Church, a close follower of local, state, and national politics, and a lover of music. His diary reflects these interests during the period from 1835 to 1875. In the 1970s, the definitive twelve-volume Danish edition of Andersen's diaries was published. In preparing a one-volume selection of the diaries for an English-speaking audience, Conroy and Rosell (both Scandinavian languages and literature, U. of Washington) have chosen excerpts that show many facets of Andersen's personality and his artistic world. The volume includes an introduction, annotations, and a detailed index, and is illustrated by a selection of Andersen's charming sketches. Annotation copyrighted by Book News, Inc., Portland, OR
The present state of copyright law and the way in which it threatens the remix of culture and creativity is a shared concern of the contributors to this unique book. Whether or not to remain within the underlying regime of intellectual property law, and what sort of reforms are needed if we do decide to remain within this regime, are fundamental questions that form the subtext for their discussions. - Publisher.
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Hans Christian Andersen is indisputably the best known of all Scandinavian writers, his tales and stories having been translated probably into more languages than any other work except the Bible. He is also one of the greatest travelers of nineteenth-century belles lettres and few were the major European cities, capitals, and countries he did not visit, many of them several times: Vienna, Berlin, Dresden, Leipzig, Weimar, Paris, and London. He met and became friends with some of the most outstanding representatives of the European artistic community: Charles Dickens, Victor Hugo, Alexandre Dumas père, Franz Grillparzer, Heinrich Heine, the Brothers Grimm, Wilhelm von Kaulbach, Franz Liszt, ...