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Modern Scottish Painting
In 1939, Scottish artist and sculptor J.D. Fergusson was commissioned to write a fully illustrated book on modern Scottish painting. The Second World War made this difficult and the first edition of Modern Scottish Painting was published in 1943 without illustrations. This new edition – edited, introduced and annotated by Alexander Moffat and Alan Riach – finally brings Fergusson's project to fruition, illustrating the argument with colour reproductions of Fergusson's own work. Moffat and Riach frame Fergusson's important art manifesto for the 21st-century reader, illuminating his views on modern art as he explores questions of technique, education, form and what it means for a painting to be truly modern. Fergusson relates these aspects of modern painting to Scottishness, showing what they mean for Scottish identity, nationalism, independence and the legacy that puritanical Calvinism has left on Scottish art – a particular concern for Fergusson given his recurring subject matter of the female nude.
J.D. Fergusson
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The Scottish Colourists
The four early 20th century Scottish painters, known as the Scottish Colourists, were largely forgotten in England and further afield until recent times, when Peploe's A Girl in White was sold at auction for the largest sum of money of any 20th century British work. The Colourists spent their formative years in Paris at the time of the great exhibitions devoted to Whistler, Cezanne, Van Gogh, Gauguin and Toulouse-Lautrec. Encountering at first hand the Fauve and Cubist works of Matisse and Picasso, they brought back to Scotland the first truly modern painting to be seen in Britain this century.;This illustrated study considers the work of all four painters, confirms their reputation and reassesses the importance of their art in the context of 20th century British painting.
Living Paint
The Scottish Colourists are now among the most admired of early 20th-century artists. Their contact with French post-impressionism and the Fauves encouraged them to produce paintings that are considered to be among the most progressive in British art. Of the Colourists, J.D. Fergusson was the most versatile and experimental, and his vibrant palette and powerful nudes have an immediate and lasting impact on the viewer. This opulent volume charts the life and career of the artist—his early life in Edinburgh; his visits to Paris, which brought him into contact with bohemian society and the French avant-garde; his explosion onto the European art scene; and his last years in Glasgow at the forefront of a Scottish cultural renaissance. Spanning the breadth of the artist's career,Living Paintdraws richly from the collection of The Fergusson Gallery, including oil paintings, watercolors, drawings, and sculptures.
Scottish Colourists Masterpieces of Art
Inspired by the works of French Post-Impressionist and Fauvist artists, the Scottish Colourists (Samuel Peploe, J.D. Fergusson, Leslie Hunter and F.C.B. Cadell) introduced 1920s Britain to a whole new style of painting. While they did not regard themselves as a collective, they are known for their bold use of colour, vigorous brushwork and affinity for painting en plein air. Though each had a distinct style and focus, they were united by pioneering efforts to buck the prevailing artistic conventions of their time, creating works of art that burst with life and beauty. With over 80 images and a broad introduction, this is a fine addition to Flame Tree's ever-increasing series on painting and illustration, Masterpieces of Art.
The Scottish Colourist
The second Catrin Sayer mystery. A retired clergyman collapses in the Kelvingrove Museum in Glasgow, right in front of the painting by Salvador Dali called ‘Christ of Saint John of the Cross’. It is thought to be a heart attack until the angina medication he took at the onset of the attack was discovered to be a placebo; it was totally ineffective. Meanwhile, a drug 'baron' in Glasgow searches out the services of a friend of his late father, a man with prior convictions for art forgery; he has a job for him. Detective Constable Catrin Sayer is now nearly a year into her assignment with the Art Crime Unit at New Scotland Yard. The journey north to Glasgow on a new case is tied to both the death of the clergyman and a rumour of theft or fraud associated with paintings by a group of artists known as ‘The Scottish Colourists’.
The Story of Scottish Art
A landmark publication celebrating over 5,000 years of creativity, The Story of Scottish Art explores Scotland’s cultural identity and artistic output through the ages. This is the fascinating story of how Scotland has defined itself through its art over the past 5,000 years, from the earliest enigmatic Neolithic symbols etched onto the landscape of Kilmartin Glen to Glasgow’s position as a center of artistic innovation today. BBC TV broadcaster and artist Lachlan Goudie passionately narrates the joys and struggles of artists striving to fulfill their vision and the dramatic transformations of Scottish society reflected in their art. The Story of Scottish Art is beautifully illustrated w...
A New Era
- This book accompanies an exhibition to be held at the Scottish National Gallery of Modern Art, Edinburgh from 2 December 2017 to 10 June 2018Revealing an alternative story of modern Scottish art, A New Era examines the most experimental work of Scottish artists during the first half of the 20th century. It challenges the accepted view of the dominance of the Scottish Colorists and uncovers the hitherto little-known progressive Scottish art world. Through these works, we can see the commitment of Scottish artists to the progress of art through their engagement and interpretation of the great movements of European modern art, from Fauvism and Expressionism, to Cubism, Art Deco, abstraction and Surrealism, among others. Looking at the most advanced work of high-profile artists such as William Gillies and Stanley Cursiter, and lesser-known talents, like Tom Pow and Edwin G. Lucas, A New Era takes its name from the group established in Edinburgh in 1939 to show surreal and abstract work by its members. An exhibition is to be held at the Scottish National Gallery of Modern Art, Edinburgh from 2 December 2017 to 10 June 2018.
J.D. Fergusson
J.D Fergusson (1874-1961) is one of the four artists known as the Scottish Colourists. Born in Leith, he was essentially a self-taught artist. In Paris 1907 he became involved with the avant-garde scene and exhibited at the progressive Salon D'Automne. This book reasserts his place at the forefront of British modernism.
Charles Rennie Mackintosh and the Art of the Four
A showcase of the artistic output of Charles Rennie Mackintosh, Herbert MacNair, Margaret and Frances Macdonald, known simply as 'The Four'.
