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This is the first work to combine an introduction to Augustine's Confessions with a larger outline of his mature theology. Mallard provides guidance for reading the narrative Confessions (Books I–IX) and at the same time, by certain extensions and comments, reveals the three major topical divisions within Augustine's thought: creation, salvation, and the City of God. Mallard is able to do this because Augustine's affirmation of the good of Creation, his view of the human will and God's grace (and the nature of evil), his sense of a religious people's identity and their hope, and his view of faith and reason were all essentially in place at the time of the Confessions. Mallard argues that A...
Jason David BeDuhn reconstructs Augustine's decade-long adherence to Manichaeism, apostasy from it, and subsequent conversion to Nicene Christianity.
This book is a discussion of responsibility and blame focused and shaped by St. Augustine's theology of sin and grace, and the controversies that surround those topics. It critically appropriates ideas central to an influential and controversial figure and doctrine, in conversation with expert readers of Augustine, recent philosophical treatments of free will and responsibility, and a broad array of theological voices.
The Confessions, Proslogion, and Consolation of philosophy, like the Divine comedy, all enact Platonist accents. [These accents] generate implied meditative meanings, which scholars have explored only in part. Each work calls us to read forward, on its journey to understanding, and to meditate backwards on the stages of the ascent and the relations between them. Augustine, Anselm, Boethius, and Dante wrote for readers experienced in meditating on the Bible, adept at exploring relations between far distant passages They designed these works as spiritual exercises for the same kind of reading and meditations. This book uses literary analysis to discover new philosophical meaning in these works. --Book jacket.
The first fruits of the literary career of St Augustine, the great theologian and Christian philosopher par excellence, are the dialogues he wrote at Cassiciacum in Italy following his famous conversion in Milan in AD 386. These four little books, largely neglected by scholars, take up the ancient philosophical project of identifying the principles and practices that heal human desires in order to attain happiness, renewing this philosophical endeavour with insights from Christian theology. Augustine's later books, such as the Confessions, would continue this project of healing desire, as would the writings of others including Boethius, Anselm, and Aquinas. Mark J. Boone's The Conversion and Therapy of Desire investigates the roots of thisproject at Cassiciacum, where Augustine is developing a Christian theology of desire, informed by Neoplatonism but transformed by Christian teaching and practices.
This volume was compiled in 1968 to honour the retirement of the eminent political philosopher Professor Michael Oakeshott. Professor Oakeshott, widely regarded as one of the most important conservative intellectuals of the twentieth century, understood the need for political philosophy to conceive experience as a whole, and accordingly sought to address politics both historically and rationally. These essays engage with the common concerns of his major works, opportunistically exploring the ideas of this great thinker further. Moreover, they are a reflection of the contributors' academic interests, variously discussing tradition, the nature of political philosophy, ideology, revolution, education, history and rationalism. As the essays contained within are separate investigations of Oakeshott's ideas, they can be enjoyed both in and out of sequence. This volume will be of value to anyone with an appreciation of political philosophy and its history, and indeed, with an interest in the ideas of Professor Oakeshott himself.
Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.
Augustine of Hippo is history's best-known Christian convert. The very concept of conversio owes its dissemination to Augustine's Confessions, and yet, as Jason BeDuhn notes, conversion in Augustine is not the sudden, dramatic, and complete transformation of self we likely remember it to be. Rather, in the Confessions Augustine depicts conversion as a lifelong process, a series of self-discoveries and self-departures. The tale of Augustine is one of conversion, apostasy, and conversion again. In this first volume of Augustine's Manichaean Dilemma, BeDuhn reconstructs Augustine's decade-long adherence to Manichaeism, apostasy from it, and subsequent conversion to Nicene Christianity. Based on...
In this addition to the award-winning Church and Postmodern Culture series, respected theologian Daniel Bell compares and contrasts capitalism and Christianity, showing how Christianity provides resources for faithfully navigating the postmodern global economy. Bell approaches capitalism and Christianity as alternative visions of humanity, God, and the good life. Considering faith and economics in terms of how desire is shaped, he casts the conflict as one between different disciplines of desire. He engages the work of two important postmodern philosophers, Deleuze and Foucault, to illuminate the nature of the postmodern world that the church currently inhabits. Bell then considers how the global economy deforms desire in a manner that distorts human relations with God and one another. In contrast, he presents Christianity and the tradition of the works of mercy as a way beyond capitalism and socialism, beyond philanthropy and welfare. Christianity heals desire, renewing human relations and enabling communion with God.