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Monastic Studies
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From Martyr to Monument
After the French Revolution and the dissolution of the monastic orders, the great Abbey of Cluny in France was closed and the buildings were sold for materials. This process went on for nearly thirty years, just as a romantic appreciation of the medieval past was gaining popularity. Although the government was unable to halt most of the demolition work, one transept arm with a large and small tower was saved from ruin, along with a few small Gothic buildings and the eighteenth-century cloister. Efforts to preserve, repair, and reuse the remains waxed and waned for a century while historians wrote with regret about the abbey’s demise. In 1927, Kenneth Conant came from Harvard to excavate th...
The Abbey of Cluny
The essays published in this volume cover many aspects of the history of Cluny from its foundation until the end of the twelfth century. Four of them are published here for the first time, and others appear in a revised form. The three articles on Cluny in the tenth, eleventh, and twelfth centuries constitute a brief survey of Cluny at the height of its prestige and influence. Others, such as the articles on Cluny and the Investiture Controversy and the First Crusade, deal with the influence of Cluny outside its walls. Yet others are concerned with the relations between Cluny and other orders, between Cluny and its dependent houses, and between the abbey and town of Cluny. The remainder study the internal history of the abbey, the administration, legislation, and finances of the order, and its development and problems, especially in the twelfth century.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set)
The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...
Custom, Law, and Monarchy
Custom, Law, and Monarchy explores how law evolved in early modern France, from an amalgam of customs, Roman and canon law, royal edicts, and judicial decisions, to the unified Civil Code of 1804. In exploring the history of this codification of law, Marie Seong-Hak Kim lays out a new way of understanding French history.
Molière
This volume analyses the life and works of the celebrated French dramatist Molière.
Church and City, 1000-1500
This volume of essays is intended as a tribute to the distinguished medieval historian Christopher Brooke. It addresses new questions in areas of medieval history which Professor Brooke has made his own: urban life and religious life. The fourteen essays explore the coexistence of religious ideas and ecclesiastical institutions with urban practices and townspeople. They span five hundred years of the history of western Christendom, ranging from Magdeburg to Majorca, and from Cambridge to Cluny. The essays break new ground in a number of areas in medieval history: in economic history, the history of ideas, and the history of religious institutions. The contributors have been attuned throughout to the complex interactions of groups and ideas within urban space. The book also contains a bibliography of Christopher Brooke's writings and an appreciation of his work.
