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This Volume of Poetry is hoisted on the world's prevailing preference of war to peace and order, its fondness for the amassing of war arsenal while neglecting the poor and the things that sustain life. The author poses the question, Bomb or Breakfast? It is impossible to read this collection of poems with-out being struck by the aching urgency of its subject matter and the bardic clarity of its rendering. Evident here are many of the stylistic hallmarks I have come to associate with Nwachukwu-Agbada over the years: clarity of intent, a social commitment which pays literary competence its due attention; gravitas of content informed by verbal playfulness, the satirist's scathing sarcasm and abiding mission to shock - and change.
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Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of `indigenization? whereby West African writers have made their literary English or French distinctively `African'. Through the apt metaphor of the palimpsest ? a surface that has been written on, written over, partially erased and written over again ? the book examines such well-known West African writers as Achebe, Armah, Ekwensi, Kourouma, Okara, Saro?Wiwa, Soyinka and Tutuola as well as lesser-known writers from francophone and anglophone Africa. Providing a great variety of case-studies in Nigerian Pidgin, Akan, Igbo...
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