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A biography of the nineteenth-century English composer Sir William Sterndale Bennett by his son, first published in 1907.
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schw...
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First published in 1978, this multi-disciplinary study embraces a wide selection of topics ranging from family intimacy and authoritarianism to the family as a unit for launching social reforms. Subjects treated in the nine essays include the Victorian attitude to childbirth, the role of the nanny, the power of the upper-class paterfamilias, the pattern of family work and fertility, and incest among the Victorian working classes. The book is introduced by a critical survey of the state of family history and the need for new studies. From the essays, the Victorian family emerges as both a refuge from society and a springboard into it, and as an important unit for the study of the repression and exploitation of women and children in Victorian society. This book will be of interest to those studying Victorian history and society.
Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print...